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MY TWO ITALIES

Luzzi’s evocative personal history and incisive cultural critique illuminates the complex forces that have shaped his own...

Memoir from Luzzi (Italian/Bard Coll.; Romantic Europe and the Ghost of Italy, 2008, etc.), who, as the first American-born child of Italian immigrants, felt alienated from his parents’ roots.

Raised in suburban Rhode Island, educated at Tufts University and Yale, he felt closer to the aesthetically rarefied Italy of Dante and Michelangelo than to the poverty and superstition of his family’s native Calabria. There were two Italies, the poet Shelley had taught him, “one sublime and the other odious.” Popular media further fueled his “cultural schizophrenia,” with Italian-Americans portrayed as thugs in The Sopranos and The Godfather. Italian-American identity remains enigmatic, Luzzi believes, since “our pride in our ancestors grows with the distance we set between them and ourselves.” Attempting to bridge that distance, Luzzi embarked on a journey of discovery, examining the social, political and cultural differences between the wealthy, Europeanized north and the “carnal violence” of the south, his parents’ background, and his own fraught relationship with Florence, where he has lived. Family, he discovered, is central to Italian life. Mothers, for example, selflessly fulfill the needs of their sons well into adulthood. “In Italy,” Luzzi found, “unmarried men don’t cut the umbilical cord and apron strings; they stretch them out.” Family loyalty, though, prevents the formation of “informal civic traditions” that foster a sense of “national community.” Cynicism, coupled with a celebration of “the art of living rather than…the ties that bind” has resulted, Luzzi concludes, in “an unhealthy Italian body politic.” Italy today, writes the author, is mired in crisis: an aging population, deadening bureaucracy, rising unemployment and endless corruption.

Luzzi’s evocative personal history and incisive cultural critique illuminates the complex forces that have shaped his own identity. Being Italian and American, he comes to realize, has been both a bountiful gift and “an ethnic cross I had to bear.”

Pub Date: July 15, 2014

ISBN: 978-0-374-29869-2

Page Count: 224

Publisher: Farrar, Straus and Giroux

Review Posted Online: April 13, 2014

Kirkus Reviews Issue: May 1, 2014

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller


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  • National Book Award Finalist

Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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