A deeply emotional read. And when the action is over, the coda could water an atheist’s eye.
A priest in Vatican City leads a perilous rescue effort surrounded by Rome’s Nazi occupiers.
In 1943 and 1944, Obersturmbannführer Paul Hauptmann terrorizes a starving Rome. But he is forbidden to enter Vatican City, at one-fifth of a square mile, the tiniest country in the world. If Jews or escaped Allied POWs can manage to get there, they may have a chance to be smuggled to safety. The novel is inspired by a real historical figure named Monsignor Hugh O’Flaherty, an Irish envoy to the Vatican. O’Flaherty and a small group go to great lengths to secretly aid as many people as they can. Discovery means death, so the group uses elaborate ruses—they form a choir as a cover, and O’Flaherty quietly passes along individual instructions during choir practice. They speak in code—“Books in the Library” means escapees being protected. It’s a risky game they’re about. Hitler only tolerates the Vatican’s existence and could wipe it out in the blink of an eye, so O’Flaherty’s superiors are deeply uneasy about the monsignor’s activities. Meanwhile, Hauptmann knows there is an Escape Line, and he is eager to prove it. And given that his “favoured interrogation tool is the blowtorch,” his odds look better than O’Flaherty’s. But the “nuisance of a priest” is not nicknamed Hughdini for nothing, and he is moral to his core. If the story were told in typical thriller style, emphasizing action over language, it would still be good, but O’Connor’s phrasings are a special joy. One unnamed cardinal is “a long drink of cross-eyed, buck-toothed misery if ever there was, he’d bore the snots off a wet horse.” On Christmas Eve, three bitterly cold German soldiers are invited indoors for some holiday cheer. They are “fine examples of the super-race”: One of them is “a haddock-faced, lumpenshouldered, Wurst-fingered corner boy, that ugly the tide wouldn’t take him out.” And the Vatican Embassy has “rats you could saddle.”
A deeply emotional read. And when the action is over, the coda could water an atheist’s eye.Pub Date: Jan. 31, 2023
ISBN: 978-1-60945-835-5
Page Count: 440
Publisher: Europa Editions
Review Posted Online: Nov. 15, 2022
Kirkus Reviews Issue: Dec. 1, 2022
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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