by Joseph O’Connor ‧ RELEASE DATE: May 1, 2003
Irish author O’Connor (Yeats Is Dead!, 2001; etc.) pulls out all the melodramatic stops for a thrilling tale without once...
A bumptious epic about a New World–bound ship Star of the Sea, full of raging immigrants, conflicted aristocrats, and a flint-eyed murderer.
It’s the tumultuous year of 1847 when O’Connor’s gallimaufry of characters board a “coffin ship” bound from Ireland to New York. Hundreds of famine refugees huddle in steerage, while just above them a handful of first-class passengers reside in splendor, though they’re rent with hidden intrigues—and all hear the thudding gait of the loner with the bad leg who wanders the ship at night. At center are two men in particular: the aristocrat David Merridith and the limping loner, Pius Mulvey. Merridith is a self-loathing scion of a British family that had long owned a large chunk of Ireland. When the estate’s fortunes crashed, at the height of the famine, most of the tenant families were put off the land—while corpses littered the countryside. Now on his way to New York with wife and children, Merridith has many secrets, most concerning their servant, Mary Duane. Pius is of a different stripe, though he hates himself just as much: having abandoned a pregnant girlfriend and his slightly mad brother in Ireland, Pius made himself into a high-living thief in London’s East End, one night even giving great inspiration to Charles Dickens, who was slumming for material. Later come to ruin, Pius has been embarked on a mission by some Hibernian thugs who won’t take no for an answer: kill the English scum David Merridith. Told mostly in flashbacks, and mostly through the highly arched voice of first-class passenger and journalist Grantley Dixon, this is the sort of gloriously overstuffed story that could be told in hushed breath over fifteen or so lengthy installments on late-night radio.
Irish author O’Connor (Yeats Is Dead!, 2001; etc.) pulls out all the melodramatic stops for a thrilling tale without once losing his eye for the right detail or his ear for the perfect phrase.Pub Date: May 1, 2003
ISBN: 0-15-100908-2
Page Count: 384
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2003
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edited by Joseph O’Connor
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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by Paulo Coelho ; illustrated by Christoph Niemann ; translated by Margaret Jull Costa
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by Paulo Coelho ; translated by Eric M.B. Becker
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SEEN & HEARD
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