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TEACH ME HOW TO DIE

A richly creative meditation on love, mortality, and the possibility of what lies beyond.

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Rauch’s fantastical novel tracks the afterlife of a widowed atheist.

Walter Klein is diagnosed with cancer and makes a principled decision to refuse treatment, essentially issuing himself an imminent death sentence. His wife, Susan, the love of his life, is dead, and with her went his attachment to this world. Walter continues on with his quotidian affairs—he plays in a jazz band, goes to work, and starts to spend time platonically with a woman, Leslie, whose appearance reminds him of Susan. When some repressed rage suddenly surfaces, he goes on a murderous rampage, killing Leslie and raping her, murdering two of his band mates and then his noisy neighbors. Walter wakes, discovering that he died in his sleep. Now he’s to be escorted in the afterlife by a guide named Vincent until the moment he is finally judged. Walter’s paroxysm of violence was part of a cleansing process, a kind of cathartic prelude to his judgment and did not occur in the physical world, but on some spiritual plane. Once evaluated, his judges will determine whether he is permitted to retain his “Right of Choice,” his prerogative to select either permanent nothingness or a sustained fantasy crafted specifically for him. Debut novelist Rauch slowly unfurls the moral cataclysm of Walter’s young life—a violent confrontation with his mother’s abusive boyfriend, an event that engendered an emotional rift between the two. Rauch imaginatively conjures an entire underworld, not only characterized by a different metaphysical reality, but a different set of moral and juridical rules. Rapists are raped as punishment for their past transgressions, and a pedophile who exercised restraint is given guilt-free orgies with children. Walter is the fulcrum of the plot though, a profoundly complex man—loving but also brimming with volatile anger, a simple person who lived a small, precious life but is also capable of real emotional and philosophical depth. The judicial aspect of the novel is fascinating and provocative—a man who kills 157 people is taken to task not for the murders themselves—none of them were innocents—but for the delight he took in the killing. The theological cosmology that emerges—instead of the historical monotheistic god, a being or beings, simply referred to as “The Truth,” preside over all—is both a little opaque and overwrought. Also, there isn’t much of a supporting cast for the protagonist. Walter’s spiritual guide, Vincent, is the only other character fleshed out enough to even approach authentic personhood. The prose, though, is sharp and lively, and Rauch has a talent for the seamless integration of serious philosophical themes and bantering humor. This is an ambitious modernization of Dante’s Inferno, an homage to a literary classic that boldly stakes out its own creative and intellectual territory. Furthermore, Rauch furnishes a thoughtful reflection on the meaning of a life well lived.

A richly creative meditation on love, mortality, and the possibility of what lies beyond.

Pub Date: June 21, 2017

ISBN: 978-0-692-86333-6

Page Count: 176

Publisher: Joseph Rauch Books and Stories

Review Posted Online: Jan. 2, 2018

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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FIREFLY LANE

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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