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THE HUNDRED DAYS

Where the classic Radetsky March could woo any reader with its breadth, insight and humor, this novel offers a sentimental...

Sympathy for characters vies with purplish prose and blaring symbols in this reimagining of Napoleon’s brief resurgence after his first exile.

Roth (Joseph Roth: A Life in Letters, 2012, etc.) focuses on the period (actually 111 days) between Napoleon’s triumphant return to Paris from banishment on Elba and his defeat at Waterloo, imagining a great man moving toward his downfall. In this slim historical novel, the author dwells on the Corsican’s solitude, ambitions and shifting emotions in two sections, while two others concern a palace laundress named Angelina, also Corsican, who is infatuated with the emperor and whose aunt tells fortunes for the great man. Napoleon has an encounter with the washerwoman that leads to an almost-tryst, as well as two brushes with her son, a drummer boy in the army. The second of these, on his final battlefield, is, like many of the book’s stronger scenes, damp with bathos. Angelina briefly interrupts her adoration of the man, “so great that everything in the world was his,” to dally with the “world of sabres, spurs, boots and woven braid” in the person of “the magnificent Sergeant-Major Sosthene,” a comic giant and the drummer boy’s dad. She will also find refuge during the Elba days in the bed of a kind Polish cobbler with a wooden leg. Aside from reviewing his troops, studying his maps and visiting his mom, Napoleon does little until his coach ride to Belgium and flight to the Atlantic and his last jailers, the British. Roth dwells at length on his solitude and his consciousness of time running short. Ticking clocks and trickling sand in “an hourglass of polished beryl” are less than subtle reminders of “his enemy, Time.”

Where the classic Radetsky March could woo any reader with its breadth, insight and humor, this novel offers a sentimental miniaturist painting soppy little scenes that maybe only a Roth completist will appreciate.

Pub Date: Oct. 7, 2014

ISBN: 978-0-8112-2278-5

Page Count: 224

Publisher: New Directions

Review Posted Online: July 1, 2014

Kirkus Reviews Issue: July 15, 2014

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THE UNSEEN

A deeply satisfying novel, both sensuously vivid and remarkably poignant.

Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.

Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.

A deeply satisfying novel, both sensuously vivid and remarkably poignant.

Pub Date: April 7, 2020

ISBN: 978-1-77196-319-0

Page Count: 272

Publisher: Biblioasis

Review Posted Online: Jan. 12, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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