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WHAT I SAW

REPORTS FROM BERLIN, 1920-1933

Poignant and prescient. (35 b&w photos)

Evocative pieces about life in interbellum Berlin by a Jewish journalist and fiction writer (The Collected Stories of Joseph Roth, 2002, etc.).

Roth (1894–1939) wrote in lyrical prose, genially leftist but pointed and candid as well. This is the first collection of his journalism in English, a beautiful translation from the German, and after finishing these 34 pieces, readers will yearn for more. Roth’s bright eye roams across Berlin, settling on both the obscure and the patent. He excels at the former, noting “It’s only the minutiae of life that are important.” He wanders the streets where impoverished refugees live. He haunts the “dives” and nightclubs, mingles with those society has forgotten. “All state officials,” he declares, “should be required to spend a month serving in a homeless shelter to learn love.” He ponders the effects of mass transportation, expatiates on the wonders of department stores, marvels at Berlin’s first skyscraper. “Strong and safe in its assembly,” he says of this towering building, “it matches a natural mountain for strength.” He is puzzled by the German fascination for wax museums, comments wryly that participants in the six-day bike races don’t really ever get anywhere, and in perhaps the wriest piece he writes about a cinema as if it were a church. At times his sentences are perfect, near poetry in syntax and diction: of a card game, he remarks, “On the table the grimy bits of cardboard make a noise like muffled slaps.” He has no respect for politicians and wishes that they were as impressive as the buildings they worked in. The only piece that deals directly with fascism is the final one. In slashing prose he writes of the Nazis’ “crazy assaults on the intellect” and condemns Europe for its sloth, weakness, apathy, and ready capitulation to cruelty.

Poignant and prescient. (35 b&w photos)

Pub Date: Dec. 1, 2002

ISBN: 0-393-05167-6

Page Count: 224

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2002

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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