A fresh look at an ancient source.
A deep dive into the mysteries of the Talmud.
Skibell (Humanities/Emory Univ.; My Father’s Guitar and Other Imaginary Things, 2015, etc.) takes a creative approach to the Talmud, a wide-ranging collection of Rabbinic wisdom. “The Talmudic view of life…can be boiled down to six areas of concern,” writes the author: heaven, Earth, ancestors, descendants, others, and self. “A perfect action, a holy action, a righteous action” he concludes, “successfully addresses all six.” These six areas of concern, writes Skibell, are represented as six “memos” to the future reader of the Talmud. As the author notes in his introduction, “the chapters that follow are an imaginative and personal response to this sacred literature.” In choosing a handful of colorful, almost mythic tales from the Talmud as starting points, Skibell freely journeys from each as a creative writer and, perhaps more importantly, as a student. As an example, he explores the tale of Rabbi Shimon and Rabbi Elazar, who were said to have sought refuge in a cave when fleeing the Roman authorities. After 12 years in the cave praying and studying while being fed miraculously, they returned to the world so horrified by its corruption that their gazes could set objects on fire. Skibell discusses the story in depth and ties it to the ancient Rabbinic debate on whether it is better to have been born or not to have been born. He finds in the tale an existential crisis of the holy trying to exist in a sinful world. Skibell’s work is lucid and erudite, and he does honor to his subject matter. At times, his wanderings take readers far from the starting point, but that is part of the author’s own personal exploration. For readers less acquainted with Talmudic teachings, his work will be a challenge worth the effort.
A fresh look at an ancient source.Pub Date: April 19, 2016
ISBN: 978-1-4773-0734-2
Page Count: 236
Publisher: Univ. of Texas
Review Posted Online: Feb. 2, 2016
Kirkus Reviews Issue: Feb. 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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