Rabbi Telushkin (An Eye for an Eye, 1991), rooted in the tradition of reverence for past learning, has gathered lots of hoary jokes and aged wisecracks, together with a few more recent japes, that make Jews laugh. To coreligionists, they'll seem like old friends; to others, the gags and their elucidation may be more in the nature of revelation. Another book of ethnic gags? Hold the cry of ``gevalt!'' because Telushkin has an unstated agenda. True to his calling, he uses the funny stuff to instruct. In this collection (in which some bits are, naturally, funnier than others), everything stands for something else—but all of it carries explanations. The exegesis of the jokes becomes a little primer on a religion and a way of life mystifying to strangers and sometimes just as puzzling to nominal adherents. It's a truism that Heisenberg's Uncertainty Principle applies to humor—observing and analyzing it alters it. That effect can be seen here as Telushkin trots out Jackie Mason and Sigmund Freud, as well as Leo Rosten and a host of Unknown Comics for a higher purpose. The tales of the wise rabbis, the fabled fools of Chelm, the anti-Semites, the schnorrers, and the big shots all serve to illustrate his lessons. Was the shtetl a forerunner of Catskills on Broadway? Why are comedians so often Jewish? Why are Jews so often comedians? Why ask questions? Just listen to the rabbi and his jokes. Fine, funny fare for Jew and non-Jew alike.
Pub Date: Sept. 16, 1992
ISBN: 0-688-11027-4
Page Count: 288
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1992
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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