These posthumous memoirs of novelist and journalist Herbst (1892-1969) alternate between dreamy recollection and thoughtful questioning of literary and political fashions. Herbst begins with tales of her pre-WW I childhood in Iowa, where she is raised by a mother who wonders hopefully whether young Josephine will grow up to be a lawyer and by a father who says as she leaves home for New York, ``Jo, I don't know what you're after, but I wish you all the luck in the world.'' In New York, Paris, and other centers of the cutting edge she is part of a literary circle that includes Katherine Anne Porter, Ernest Hemingway, Nathanael West, and others, living an enviable life of conversation and reading and stopping occasionally to wonder whether contempt for ``the lovely and the beautiful'' is becoming too popular. Her strongest contempt is for rigid ideologies. At a writers' conference in Moscow, she becomes disaffected from the literary figures whose praise for proletariat literature is a thinly veiled speech of self-promotion, and her refusal to paint the Spanish Civil War in black and white paralyzes her and keeps her silent about her trip for the next 30 years. Her questioning doesn't keep her from sentimentalizing the political debates of the time, but her description of sitting in an Italian-owned diner as Sacco and Vanzetti are executed is one of the work's memorable moments. Herbst convinces us that she was in the eye of the storm of the era that ``opened the world to its literary young on a scale never before ventured and not equaled since.''
Pub Date: Aug. 14, 1991
ISBN: 0-06-016512-X
Page Count: 224
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1991
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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