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NOWHERE ELSE ON EARTH

A remarkable achievement from a writer who just keeps getting better.

Another character-rich, atmospheric, thematically complex tale from Humphreys (The Fireman's Fair, 1991, etc.), set in a "piney lower corner of North Carolina" during the Civil War era.

Narrator Rhoda Strong, daughter of a Scots immigrant and a Lumbee Indian, lives in Scuffletown, a multiracial community forged by the Indians. Scuffletown's gentle patriarch is Allen Lowrie, whose son Henry leads a band of men hiding in the swamps to escape forced labor during the hunger-ravaged summer of 1864. Rhoda is 15, longing for the kind of love that sustains her parents in an unjust world subject to the arbitrary incursions of "macks" (whites) like Brant Harris, the drunken head of the Home Guard; and Deputy Rod McTeer, who orders the brutal execution of Allen Lowrie. Rhoda and Henry have just made love for the first time when they witness this execution, and their subsequent marriage is haunted by its consequences. Driven to acts of deadly revenge for the macks' crimes, Henry remains an outlaw after the war; he makes stolen visits while Rhoda raises their children alone in Scuffletown, whose inhabitants are still feared and persecuted by the defeated whites. When Henry is finally forced to flee North Carolina in 1873, Rhoda chooses to stay behind, and it's a tribute to Humphreys's artistry that we understand that decision despite the passionate marital love the author has depicted. The many full-bodied characters, from Rhoda's proud mother to the white lady who proves a loyal friend despite her prejudices; the loving evocation of local customs and practices, including a bravura description of making turpentine; the detailed life of a people engaged in daily moral resistance to a diseased social order—all create a bond of community that Rhoda (and the reader) cannot think of shattering. Though the story is at times almost unbearably sorrowful, it is too richly full ever to be bleak.

A remarkable achievement from a writer who just keeps getting better.

Pub Date: Sept. 4, 2000

ISBN: 0-670-89176-2

Page Count: 320

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2000

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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