Masterful stories that peel away at the thin border between everyday life and profane violence in modern-day Mexico.
Twelve crime-tinted short stories from an American writer who lives part-time in Mexico.
There’s a Carver-esque quality to these painterly portraits of everyday people living in and around Mexico City. Barkan (Before Hiroshima: The Confession of Murayama Kazuo and Other Stories, 2011, etc.) brings a journalist’s eye to his stories and lends each of his primary characters a believable sympathy and often a life-changing moment. Despite the inherent compassion in many of these stories, there’s also an underpinning of violence from Mexico’s ongoing drug war that gives them a very unsettled air. In the opener, “The Chef and El Chapo,” a highly trained chef is faced with the unenviable task of making a delicious dish for the infamous head of the Sinaloa Cartel—using only two ingredients. Desperate to save a restaurant full of potential victims from harm, the chef dishes up slices of Wagyu beef seasoned with a child’s blood. In “The God of Common Names,” a Jewish schoolteacher tries to protect a star-crossed romance between two of his students and learns a hard lesson about faith and redemption. In “I Want to Live,” an angry cancer patient confronts a famous and beautiful woman about her scars. Sometimes the violence in these stories is casual, as related by the narrator of “Acapulco,” who blithely tells a tale of nightclubbing that ends in an execution. Yet in the very next story, “The Kidnapping,” the violence is visceral and ugly and very real. “The cry from that woman, there was no faking there,” says the narrator. “They take a pair of kitchen shears. They run it up along the skin. They scrape your knuckles with the edge of the blade of the scissors, until they bleed. I know how they do it, 'cause later they took one of my fingers off and sent it to my family. This is what they do.”
Masterful stories that peel away at the thin border between everyday life and profane violence in modern-day Mexico.Pub Date: Jan. 24, 2017
ISBN: 978-1-101-90629-3
Page Count: 304
Publisher: Hogarth
Review Posted Online: Oct. 31, 2016
Kirkus Reviews Issue: Nov. 15, 2016
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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