The underside of digital technology on full, frightening display.
A study of the Chinese government’s sweeping surveillance program.
Chin and Lin, veteran reporters on China for the Wall Street Journal and other outlets, have spent enough time in the country to effectively trace the development of an extraordinary surveillance system, a defining feature of the Xi Jinping era. It began in Xinjiang province, supposedly to keep track of Uyghur dissidents, but the Communist Party leaders quickly saw the broader potential. Featuring a nationwide network of cameras feeding into a massive database, the program connects with online shopping giants such as Alibaba and Tencent, and it also extends to internet usage and mobile phones. Using this data, Chinese authorities established an algorithm-based “social credit system,” under which “responsible” people could be rewarded while others could be monitored and, if necessary, punished. “By solving social problems before they occur and quashing dissent before it spills out into the streets,” write the authors, [the Party] believes it can strangle opposition in the crib.” Another crucial piece is facial recognition software, and the government is reportedly working on “emotion recognition” software, aiming to pick up individuals who have not done anything wrong but might think about it in the future. “China’s leaders,” write the authors, “wanted to redefine government using the same tools that Google, Facebook and Amazon had used to remake capitalism….They could engineer away dissent. China would have optimization.” Party officials understand that most citizens will trade privacy for order. Worryingly, the system is now being exported around the world, with aspects of it appearing in India, Uganda, and Singapore. Occasionally, the authors wander away from their main theme, but they paint a grim, disturbing portrait that deserves close scrutiny, especially as the technology becomes more precise and easier to deploy. While tech giants in the U.S. “exploit this technology for profit…the Communist Party has adopted it as a means to maintain power.”
The underside of digital technology on full, frightening display.Pub Date: Sept. 6, 2022
ISBN: 978-1-250-24929-6
Page Count: 320
Publisher: St. Martin's
Review Posted Online: May 13, 2022
Kirkus Reviews Issue: June 15, 2022
A philosophically rich critique of state violence and mass apathy.
An Egyptian Canadian journalist writes searchingly of this time of war.
“Rules, conventions, morals, reality itself: all exist so long as their existence is convenient to the preservation of power.” So writes El Akkad, who goes on to state that one of the demands of modern power is that those subject to it must imagine that some group of people somewhere are not fully human. El Akkad’s pointed example is Gaza, the current destruction of which, he writes, is causing millions of people around the world to examine the supposedly rules-governed, democratic West and declare, “I want nothing to do with this.” El Akkad, author of the novel American War (2017), discerns hypocrisy and racism in the West’s defense of Ukraine and what he views as indifference toward the Palestinian people. No stranger to war zones himself—El Akkad was a correspondent in Afghanistan and Iraq—he writes with grim matter-of-factness about murdered children, famine, and the deliberate targeting of civilians. With no love for Zionism lost, he offers an equally harsh critique of Hamas, yet another one of the “entities obsessed with violence as an ethos, brutal in their treatment of minority groups who in their view should not exist, and self-decreed to be the true protectors of an entire religion.” Taking a global view, El Akkad, who lives in the U.S., finds almost every government and society wanting, and not least those, he says, that turn away and pretend not to know, behavior that we’ve seen before and that, in the spirit of his title, will one day be explained away until, in the end, it comes down to “a quiet unheard reckoning in the winter of life between the one who said nothing, did nothing, and their own soul.”
A philosophically rich critique of state violence and mass apathy.Pub Date: Feb. 25, 2025
ISBN: 9780593804148
Page Count: 224
Publisher: Knopf
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: Jan. 15, 2025
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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