Use this wild ride to shake things up with common sense and creativity.
The characters don’t cooperate with the narrator in this metafictive spoof on the classic fairy tale.
When the narrator introduces Little Red Riding Hood, she overhears from her home and calls out, “Hey! Someone’s talking about us!” She comments on all of the narration, in fact, and the narrator responds to her in turn while trying, in vain, to maintain control over the story. Red, though savvy, is willing to play along and act out the story. But, to the narrator’s dismay, the Big Bad Wolf is sick and has sent a pirate in its place, and the heroic woodsman couldn’t make it, so Pinocchio shows up instead. The notion of eating Grandma doesn’t sit well with the pirate, so the narrator can only relent as the characters make up their own happy ending. Colorful, dramatic, cartoony illustrations picture Red and her family with brown skin and puffy black hair; Red’s sister, Blue, uses a wheelchair (disappointingly, it’s not depicted as a self-propelled one); the pirate presents White and has a hook prosthesis. The many voices are differentiated by different typefaces, colors, and speech bubbles, giving the feel of a comic or play. Adults may have a difficult time performing them all as a read-aloud, but a child willing to alternate reading with an adult will enjoy the drama, and the jokes will be more fun that way too. Still, many will find this rewrite more thought-provoking than funny, and that’s not all bad either.
Use this wild ride to shake things up with common sense and creativity. (Picture book. 4-9)Pub Date: Oct. 27, 2020
ISBN: 978-1-5420-0666-8
Page Count: 40
Publisher: Two Lions
Review Posted Online: July 27, 2020
Kirkus Reviews Issue: Aug. 15, 2020
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.
How to raise money for a coveted poster: put your friends to work!
John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)
It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)Pub Date: March 21, 2023
ISBN: 978-0-593-56727-2
Page Count: 40
Publisher: Random House
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
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