An eye-opening trip behind the political scene demonstrating how showbiz helped money wreck our political landscape. If you...
How the methods of show business took over presidential election campaigns—and how political candidates have paid the price.
Public relations executive King chronicles the rise and fall of what he calls “the Age of Optics, where playing to the camera and creating compelling imagery forces candidates far from their comfort zones.” As a former campaign advance man and director of production for presidential events at the White House, the author knows his material well, and he recounts it with irresistible detail culled from firsthand experience. It all began in 1988, when the Democrats enlisted staff from Hollywood, the Oscars, and the Olympic Games to help stage their convention. Soon, the job categories of movie production—e.g., advance man, staging, site-builders—were swelling the vocabulary of political staffing. Campaign image-making took over because “spectacle sells.” Due to public familiarity, advertising techniques provided a framework. The author quotes Republican media consultant Robert Goodman: “[Ads] don't let you decide for yourself what to think. They tell you how to feel.” The result has not been friendly to politicians. In 1988, Michael Dukakis tried to enhance the image of his national security credentials with a joy ride on an Army tank. Unfortunately, even the people on his team thought he looked “like a peanut.” For the Republicans, it was the gift that kept on giving. King goes on to chronicle other bloopers, including John Kerry's windsurfing break, Howard Dean’s scream, and George W. Bush's “Mission Accomplished” banner. As the author notes, many candidates have fallen prey to the “fateful actions and decisions of staff…[that] will occupy a place in the politician’s eventual obituary.” What happens in front of the camera is fair game, and it has become all too easy to tell politicians to do or say anything at any given time.
An eye-opening trip behind the political scene demonstrating how showbiz helped money wreck our political landscape. If you enjoy the TV show Veep, you’ll enjoy this book.Pub Date: April 26, 2016
ISBN: 978-1-137-28006-0
Page Count: 384
Publisher: St. Martin's
Review Posted Online: Feb. 2, 2016
Kirkus Reviews Issue: Feb. 15, 2016
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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