A testament to the joy of creation and a celebration of a different kind of beauty—sparkling indeed.
Schneider’s playful take on the beauty makeover upends expectations with comedic—and powerful—results.
When Amelia receives Princess Sparkle-Heart, the girl and doll become fast friends. From dancing and tea parties to weddings and secrets, they share almost everything—much to the chagrin of the family dog. Growling and glowering his way across spreads, the canine has it in for the doll. So it’s no surprise when tragedy strikes and Sparkle-Heart is torn to shreds. But all is not lost, as Amelia and her mom make the doll anew. With extra stuffing for “protection,” a few extra button eyes (because it’s hard to choose “just two”), some “good teeth” and a comic-book–inspired outfit, the transformation is complete. After a suspenseful makeover reveal, it’s clear Amelia adores her now-monsterlike doll more than ever—and in that moment, Schneider redefines beauty and what is “princess.” Meticulous pen, ink and watercolor illustrations perfectly capture Amelia’s emotions; she is reminiscent of Pippi Longstocking, with her red, statement hairdo, blue denim overalls and plucky personality. Cinematic illustrations play with proportion and perspective, echoing the work of comic-book luminaries Geof Darrow and Moebius. A clever cover, with its curvy, bedazzled, pink title splashed across the page, acts as a beacon to the princess-obsessed, while craft-licious lettering toward the bottom hints at the tale’s interior.
A testament to the joy of creation and a celebration of a different kind of beauty—sparkling indeed. (Picture book. 4-7)Pub Date: April 1, 2014
ISBN: 978-0-544-14228-2
Page Count: 32
Publisher: Clarion Books
Review Posted Online: March 2, 2014
Kirkus Reviews Issue: March 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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