Jackson (Backseat Saints, 2010, etc.) sticks with her specialty—plucky Southern women who overcome male ill treatment from their past—in this novel about a grandmother, daughter and granddaughter who confront a suddenly uncovered family secret.
Ginny Slocumb, now 45, got pregnant at 15 after what was basically date rape and ended up raising daughter Liza as a single mom. Liza, who has always been headstrong, never named the father who impregnated her at 15. Shortly after giving birth she ran away to live a druggy life on the streets until she returned to Ginny’s home with 2-year-old Mosey and entered drug rehab. Now that Mosey is 15, Liza and Ginny fear she will follow in their sexual steps. To help her avoid the temptations at the public high school, Liza even found the tuition money to send Mosey to private Calvary High until Liza, although drug-free for years, suffered a debilitating stroke at a Calvary function, leaving her semi-paralyzed. When a box with a baby’s jawbone inside is discovered in the Slocumb backyard, the police try to figure out if a murder has been committed, and if so by whom; it seems another infant went missing shortly before Mosey was born. The three Slocumbs react separately. Liza knows the truth, but cannot find the words in her damaged brain to explain what happened. Ginny fears what might have happened, and her efforts to protect Liza and Mosey lead her to re-activate a past relationship. Mosey, already angry at the older Slocumbs and prodded by her two friends, fellow adolescent outsiders, is emboldened to solve the mystery of the bones and her own identity; for if the dead baby belongs to Liza, who does Mosey belong to? Snappy dialogue with a Southern twang, spiritual uplift and undeniably likable characters—“Quirky Cute” at its best.
Pub Date: Jan. 25, 2012
ISBN: 978-0-446-58235-3
Page Count: 336
Publisher: Grand Central Publishing
Review Posted Online: Oct. 10, 2011
Kirkus Reviews Issue: Nov. 1, 2011
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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