A satisfying, entertaining read from an admired writer who deserves to be a household name.
Jackson (The Opposite of Everyone, 2016, etc.) has written another spirited page-turner set in a new South still haunted by the ghosts of the old.
Leia, single at 38, writes popular graphic novels but is gun-shy with men. Following a boozy one-night stand at a comic-book convention, she has “fetched up pregnant” with a biracial child. Then she hears that her beloved 90-year-old grandma Birchie has slipped into dementia and is acting out: at church, Birchie has loudly, and lewdly, revealed what she knows about the new pastor’s relationship with a (married) parishioner. Leia decides to take charge, driving from her home in Norfolk, Virginia, to the small town in Alabama where Birchie lives with her lifelong friend Wattie, a black woman whose mother was her family’s housekeeper. Complications ensue—not least of which is the discovery of a trunk filled with the bones of someone who has met a violent end. There’s a whiff of Southern Gothic here and plenty of sex, lies, and family secrets. (The author’s fans will also recognize some elements from earlier novels). But Jackson is bighearted and, in the end, optimistic. She writes vivid, funny characters, and her voice is distinctive and authentic. She can also toss off amusing pop-culture references that make this narrative sound very au courant: Leia’s stepsister’s divorce “would be so perfectly done it would make Gwyenth Paltrow’s conscious uncoupling look like a bar brawl.” Jackson doesn’t do trite. Even when Leia ruminates on race, the author frames things in a fresh way: “There was no such thing as mixed-race in…America....The whole country had called a mixed-race man our ‘first black president.’ ” Perhaps the novel overreaches—the ending is a bit sober for what comes before—but it’s not a major flaw.
A satisfying, entertaining read from an admired writer who deserves to be a household name.Pub Date: July 11, 2017
ISBN: 978-0-06-210571-4
Page Count: 352
Publisher: Morrow/HarperCollins
Review Posted Online: April 17, 2017
Kirkus Reviews Issue: May 1, 2017
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
A tour de force.
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
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