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THE GIRL WHO STOPPED SWIMMING

An entertaining but shallow spin on a Southern Gothic.

Ghosts, more figurative that literal, haunt Jackson’s third novel (Between, Georgia, 2006, etc.).

Laurel, who makes artistic quilts, and her computer geek husband, David, live with their 13-year-old daughter Shelby in Victorianna, a gated community in South Georgia near the Alabama line. One night, Laurel sees/dreams about the ghost of Shelby’s best friend Molly, who is dripping wet. Laurel watches as Molly passes through her bedroom window and sinks to the bottom of Laurel’s swimming pool. Laurel wakes screaming. In fact, Molly has drowned in what the police rule an accident. But Laurel has suspicions about a creepy neighbor. She is also terrified Shelby is somehow involved although Shelby swears she was asleep, as was her cousin Bet. Bet has been visiting for the summer, Laurel’s pet charity case from the trailer-trash town that Laurel’s mother escaped through marriage years ago. Using Bet’s pathetic need for affection, Laurel pulls worrisome information from her and begins to track the truth about Molly’s death. Lovably Aspergish David can’t help, and Laurel’s mother pretends never to see ugly truths, so Laurel, who has her own difficulty disturbing decorum, turns to her older sister Thalia, an actress who likes to live on the edge and has always found both Laurel’s life in Victorianna and her marriage stultifying. With Thalia around, cracks begin to appear on the surface of Laurel’s ever-so-controlled life. Thalia forces Laurel to confront problems in her marriage and to realize that the death of her Uncle Marty, her first “ghost,” was not what it seemed. Laurel is meant to be the heroine but she’s such a dolt, readers may not feel she deserves her happy ending after jumping to conclusions that turn out dangerously wrong. The tragic figure, Bet, gets short shrift, as if Jackson doesn’t quite know what to do with her.

An entertaining but shallow spin on a Southern Gothic.

Pub Date: March 4, 2008

ISBN: 978-0-446-57965-0

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2008

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CONCLAVE

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...

Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.

Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”

An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.

Pub Date: Nov. 22, 2016

ISBN: 978-0-451-49344-6

Page Count: 304

Publisher: Knopf

Review Posted Online: Sept. 6, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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THE SECRET HISTORY

The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.

Pub Date: Sept. 16, 1992

ISBN: 1400031702

Page Count: 592

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1992

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