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THE OPPOSITE OF EVERYONE

A searing yet ultimately uplifting look at broken people who heal themselves and each other through forgiveness, love, and...

A tough divorce lawyer with a troubled past is forced to revisit her childhood when she discovers her estranged mother is probably dead and may have left another child behind.

Paula Vauss was born to a free-spirited teen mother who nicknamed her Kali, after the Hindu goddess of change and destruction. The two traveled across the South, Paula's mother taking up with men who’d shelter her and her young daughter for a time, then growing restless and taking to the road again—a lifestyle that worked much better for a young child than for a preteen beginning to exist outside her mother’s influence. When an ill-fated move lands mother and daughter with a low-level drug dealer, Paula makes a phone call that will change their lives forever and drive a wedge through their close, loving relationship. Years later, still trying to atone for that devastating act and make sense of her subsequent reinvention into a hardscrabble fighter who survived foster care, law school, and her mother’s scathing silence, Paula discovers she may have siblings, including a young child who may be lost in the system. Traveling back through her memories, Paula looks for guidance from her itinerant childhood and the stories her mother told her, an odd combination of Hindu mysticism and Southern mythmaking: “I was born in Alabama. My mother invoked Kali on the black and bloody soil of the American South, and she didn’t get renewal, hope, or springtime. She got me.” She'll also have to re-evaluate her sense of self, since suddenly, rather than burning bridges, she may have to forgive herself enough to let others in and create deep connections. Jackson delivers another quirky, Southern-based, character-driven novel that combines exquisite writing, vivid personalities, and imaginative storylines while subtly contemplating race, romance, family, and self.

A searing yet ultimately uplifting look at broken people who heal themselves and each other through forgiveness, love, and the power of stories.

Pub Date: Feb. 16, 2016

ISBN: 978-0-06-210568-4

Page Count: 352

Publisher: Morrow/HarperCollins

Review Posted Online: Dec. 9, 2015

Kirkus Reviews Issue: Dec. 15, 2015

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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IF CATS DISAPPEARED FROM THE WORLD

Jonathan Livingston Kitty, it’s not.

A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.

The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.

Jonathan Livingston Kitty, it’s not.

Pub Date: March 12, 2019

ISBN: 978-1-250-29405-0

Page Count: 176

Publisher: Flatiron Books

Review Posted Online: Feb. 16, 2019

Kirkus Reviews Issue: March 1, 2019

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