Thriller comfort food: It won’t disappoint, nor will it shock or delight.
When a former sitcom star begins to receive explicit and violent letters from a deranged fan, she decides to leave Los Angeles and return to Georgia.
Meribel Mills is one of the lucky ones by Hollywood standards: She left her home in Atlanta, hoping to make it big in LA, and was quickly cast as the best friend in a sitcom that made her a household name. Of course, as she enters her 40s, the available roles are fewer and further between. When the stalker, nicknamed “Marker Man” because he always writes with sweetly scented markers, ups his fear campaign, Meribel accepts a new TV role that requires her and her almost-13-year-old daughter, Honor, who has autism, to move back across the country. It’s not long before Meribel begins to receive more letters, first forwarded from LA but then with postmarks from towns closer and closer to where she lives. At the same time, she’s trying to make peace with her past; her ex-husband still lives nearby, and their breakup was quick and painful. And then there’s her handsome neighbor Cooper—so far they’ve only traded sob stories about their exes, but he seems to enjoy being a shoulder to cry on. And finally, Meribel’s most recent ex, Cam, shows up out of the blue. Despite their hot sexual connection, she broke up with him before the move. So she’s juggling men and an escalating stalker and Honor’s foibles, including the fact that she’s adopted a “stray cat” (actually a homeless girl) in tandem with Cooper’s stepdaughter. It's complicated, and unfortunately, this many threads lead to not enough depth—in the characters, in the plot, in the suspense. With the exception of Honor, who deserves to be the heroine of her own story, the characters get pushed around by the plot, and the pieces seem to fall into place a bit too easily in the end.
Thriller comfort food: It won’t disappoint, nor will it shock or delight.Pub Date: April 25, 2023
ISBN: 978-0-06-315865-8
Page Count: 336
Publisher: Morrow/HarperCollins
Review Posted Online: Feb. 7, 2023
Kirkus Reviews Issue: March 1, 2023
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
This thriller’s eerie mood is deflated by a plot with more holes than a Halloween sheet.
Could making a movie about the disappearance of five women from an island reawaken an evil presence there?
Five dresses hang from the topmost limbs of an oak on a remote island in a Vermont lake. That memorable image marks a mystery from a century ago, when five women believed to have been part of a commune vanished forever. As this novel opens, another group gathers on the island to make a movie based on that tale. Marin Keane, the narrator, is surprised but thrilled to find herself cast as one of the leads; she’s a struggling actor whose biggest part so far has been “Bridesmaid with Eczema” in a drug commercial, so playing Daisy Rue, whose haunting diary is the basis for the movie’s script, could be a career-making move. Ronan Peters, the writer-director, is talented and, Marin notes, hot. His reason for gathering the cast on the island is a kind of boot-camp rehearsal: They’ll spend a week living there, wearing period clothes, and managing without internet or phone service. Oh, and holding séances. What could go wrong? Marin quickly meets the other women in the cast: regal character actor Julianne Brown, cool and competent Heather Benchley, bratty former Disney star Susie Hutchinson, and, striking awe in all of them, Violet Wright, a much-awarded Meryl Streep-ish figure who will play the woman who brought the others to the island, which she owned. They get to work, but soon enough someone disappears. The book’s plot, like the movie’s script, largely follows Daisy’s journal, and since the reader is supplied with pages-long sections of that journal, there’s not much suspense about what will happen next. There are some effective set pieces, such as the group’s first séance. But in its last quarter, the plot collapses into a muddle of #MeToo vengeance, improbable secrets, and jarring character reveals that is, as Marin says, “the most Scooby-Doo thing I’ve ever heard.”
This thriller’s eerie mood is deflated by a plot with more holes than a Halloween sheet.Pub Date: Aug. 4, 2026
ISBN: 9798217044092
Page Count: 368
Publisher: Dutton
Review Posted Online: June 1, 2026
Kirkus Reviews Issue: July 1, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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