Despite extensive research, this book is mainly for aficionados of the weird.
An offbeat investigation of how the source code for conspiracy theories was written long ago.
Charles Fort (1874-1932) is not a household name today, but his influence reaches deep into American life. In the early years of the 20th century, Fort began to collect newspaper articles about odd things or “anomalous reports”—e.g., rains of fish or stones, strange lights in the sky, contact with the dead, etc. Buhs, author of Bigfoot and The Fire Ant Wars, examines how Fort knitted these into a series of books about inexplicable occurrences and their possible meanings. Fort believed that they could explain the real nature of the universe, and he eventually expanded the theory into investigations of how power was really wielded in society. Things are never as they seem, he wrote, and there are worlds behind the world. His work and theories attracted a variety of followers; after his death, an organization called the Fortean Society sought to spread his ideas. For decades, sci-fi writers have drawn on Fortean thinking, and Buhs tracks the many paths of influence, especially involving groups obsessed with UFOs and vanished civilizations. Much of this was harmless quackery, but the rise of malevolent conspiracy theories was more pernicious. The result has been the infiltration of the bizarre and the extreme into civil discourse at every level (see: QAnon.) “Fort and Forteans played their part in the creation of this world,” says Buhs. “They eroded the distinctions between truth and falsity. They launched a thousand conspiracies into the national consciousness.” Unfortunately, the author often breaks the primary narrative with unnecessary detours, making it difficult to follow. Some will enjoy the arcane material, but many will find it too eccentric to keep the pages turning.
Despite extensive research, this book is mainly for aficionados of the weird.Pub Date: June 24, 2024
ISBN: 978-0226831480
Page Count: 384
Publisher: Univ. of Chicago
Review Posted Online: March 15, 2024
Kirkus Reviews Issue: April 15, 2024
Essential reading for any Twain buff and student of American literature.
A decidedly warts-and-all portrait of the man many consider to be America’s greatest writer.
It makes sense that distinguished biographer Chernow (Washington: A Life and Alexander Hamilton) has followed up his life of Ulysses S. Grant with one of Mark Twain: Twain, after all, pulled Grant out of near bankruptcy by publishing the ex-president’s Civil War memoir under extremely favorable royalty terms. The act reflected Twain’s inborn generosity and his near pathological fear of poverty, the prime mover for the constant activity that characterized the author’s life. As Chernow writes, Twain was “a protean figure who played the role of printer, pilot, miner, journalist, novelist, platform artist, toastmaster, publisher, art patron, pundit, polemicist, inventor, crusader, investor, and maverick.” He was also slippery: Twain left his beloved Mississippi River for the Nevada gold fields as a deserter from the Confederate militia, moved farther west to California to avoid being jailed for feuding, took up his pseudonym to stay a step ahead of anyone looking for Samuel Clemens, especially creditors. Twain’s flaws were many in his own day. Problematic in our own time is a casual racism that faded as he grew older (charting that “evolution in matters of racial tolerance” is one of the great strengths of Chernow’s book). Harder to explain away is Twain’s well-known but discomfiting attraction to adolescent and even preadolescent girls, recruiting “angel-fish” to keep him company and angrily declaring when asked, “It isn’t the public’s affair.” While Twain emerges from Chernow’s pages as the masterful—if sometimes wrathful and vengeful—writer that he is now widely recognized to be, he had other complexities, among them a certain gullibility as a businessman that kept that much-feared poverty often close to his door, as well as an overarchingly gloomy view of the human condition that seemed incongruous with his reputation, then and now, as a humanist.
Essential reading for any Twain buff and student of American literature.Pub Date: May 13, 2025
ISBN: 9780525561729
Page Count: 1200
Publisher: Penguin Press
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
SEEN & HEARD
SEEN & HEARD
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.
Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.
The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.
Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.Pub Date: April 21, 2020
ISBN: 978-1-250-21458-4
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Jan. 19, 2020
Kirkus Reviews Issue: Feb. 15, 2020
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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