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EYES OF IRIS

An often thrilling tale of an unpredictable future.

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In Harris’ SF novel, a doctor’s psychological evaluation of an unusual patient could doom the planet.

Ernest Kairos is asked by one of his hospital’s emergency-room physicians to engage with a newer patient to see if they warrant continuing an involuntary psych hold. Irisa Solovyov, who prefers to be called “Iris,” is a 20-year-old college student studying computational neuroscience; she came in recovering from a drug-induced hallucination that appears to involve delusional thinking, which is Kairos’ field of expertise. Kairos promises to call off the hold if she tells him the full story of her vision—and it’s unlike anything he’d ever heard from other patients. He listens to Iris’ tales and secretly records them; first, he hears about her apparent visions of past lives, in which she was a young Italian woman in the 1960s or an Egyptian boy playing an ancient board game, among others. She found a shaman to help her guide her mental travels, but after drinking a hallucinogenic drink, she found herself inhabiting in the body of a strange, “human-esque” but clearly inhuman creature in the future; unlike her previous visions, this time she was stuck, and couldn’t return to her own time or body. After a few days as a weird, gray worker among many others, the creature Iris inhabits was taken by its gods to another place she could never have predicted—and where she encounters a very strange companion, indeed. Harris’ offbeat work of speculative fiction is told mainly through transcripts of Kairos’ audio files. Its vision of the future is an unusual one that’s both plausible and horrifying, and readers will certainly find it unforgettable. The work features some stunning worldbuilding along the way, and readers will feel as misplaced, and as entranced, as Iris does in her vision. None of the major players in the narrative are particularly likable, as their flaws are always on clear display; however, this has the effect of making them feel all the more genuine—and, ultimately, all the more human.

An often thrilling tale of an unpredictable future.

Pub Date: March 25, 2025

ISBN: 9798891326217

Page Count: 248

Publisher: Atmosphere Press

Review Posted Online: April 9, 2025

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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  • New York Times Bestseller

Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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GOLDEN SON

From the Red Rising Trilogy series , Vol. 2

Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...

Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.

The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.  

Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.

Pub Date: Jan. 6, 2015

ISBN: 978-0-345-53981-6

Page Count: 448

Publisher: Del Rey/Ballantine

Review Posted Online: Oct. 22, 2014

Kirkus Reviews Issue: Nov. 1, 2014

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