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MORNINGSIDE HEIGHTS

Caring for a spouse with Alzheimers is an ever more common heartbreak, illuminated by this tender portrait of a marriage.

A superstar literature professor is struck down in his prime in the cruelest possible way.

“So you’re sleeping with your professor,” Camille said. “Weren’t you the one lecturing about the casting couch?” OK, it’s a #MeToo novel, you’re thinking, set at Columbia in the 1970s, about a relationship between a 22-year-old Ph.D. student named Prudence Steiner and her only-six-years-older Shakespeare professor, Spence Robin, a dashing, auburn-haired campus idol who rides her around the Upper West Side on his moped. But Henkin’s fourth novel turns out to be a different sort of story entirely—tragedy rather than outrage. Pru drops out, gets married, gets pregnant while Spence gets two Guggenheims, a Mellon, and a MacArthur. But talent and good luck are ultimately no match for early-onset Alzheimer’s. Pru is 51 and Spence 57 and their only child, Sarah, has just left for medical school when discomfiting things begin to happen. Spence is cold all the time, misreads a party invitation, and, most critically, can’t seem to make any headway on his book project, a new, annotated Shakespeare—though it would provide income they desperately need to support his disabled sister and his son, Arlo, from his brief first marriage. Henkin specializes in melancholy stories about complicated families, and this one is a real heartbreaker. His portrait of Pru is nuanced and sensitive, following her into one of the darkest places a spouse can go and hitting the notes just right. The other point-of-view character is Arlo, a dyslexic genius raised haphazardly by his bohemian mom and his underinvolved dad—his trajectory is interesting but distant from the emotional core of the story. Some of the most powerful moments in the book are sudden insights into Spence’s experience—more of these would have been welcome.

Caring for a spouse with Alzheimers is an ever more common heartbreak, illuminated by this tender portrait of a marriage.

Pub Date: June 16, 2020

ISBN: 978-1-5247-4835-7

Page Count: 304

Publisher: Pantheon

Review Posted Online: March 28, 2020

Kirkus Reviews Issue: April 15, 2020

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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