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NAMES OF NEW YORK

DISCOVERING THE CITY'S PAST, PRESENT, AND FUTURE THROUGH ITS PLACE-NAMES

Toponym aficionados and New York history buffs alike will revel in Jelly-Schapiro’s explorations.

The co-editor of Nonstop Metropolis: A New York City Atlas returns to the city to document the places that serve as “generators of tales."

The map of New York City is both historical palimpsest and a fascinating index of events, actors, and peoples in contact and motion. As Jelly-Schapiro writes, having noted the time and thought people put into giving names to their children, “if names matter so much when attached to people, they matter even more when attached to places, as labels that last longer, in our minds and on our maps, than any single human life.” Mulberry Street is an example: It suggests the fact of a tree, but underneath it lies a story of a Five Corners gangster who supposedly uprooted the tree and beat up his gangbanger foes with it. Jelly-Schapiro takes a leisurely spin through the five boroughs, stopping to notice an Indian name buried in often mangled form—Rockaway, say, which comes from the Munsee Indian word leekuwahkuy, “sandy place,” which of course is just what Rockaway is—or remark on the curious alphabet and number soup of Forest Hills, where, he adds, you can get some wonderful Chinese food. The history of place names is bound up in ethnicities, and the author doesn’t stint: There are plenty of Native American names, of course (as he wryly observes, “What’s more American than naming stuff for people you’ve killed?”), Dutch names from the pre-British era, and names marking moments of social injustice—e.g., a block in the Bronx named for the ill-fated Malian immigrant Amadou Diallo—and popular culture, such as Corona’s Run-DMC JMJ Way and Staten Island’s Wu-Tang District. It all adds up to an entertaining education in the ways of a city that never stops transforming, meaning new names in the future.

Toponym aficionados and New York history buffs alike will revel in Jelly-Schapiro’s explorations.

Pub Date: April 13, 2021

ISBN: 978-1-5247-4892-0

Page Count: 256

Publisher: Pantheon

Review Posted Online: Jan. 6, 2021

Kirkus Reviews Issue: Feb. 1, 2021

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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WHAT THIS COMEDIAN SAID WILL SHOCK YOU

Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.

The comedian argues that the arts of moderation and common sense must be reinvigorated.

Some people are born snarky, some become snarky, and some have snarkiness thrust upon them. Judging from this book, Maher—host of HBO’s Real Time program and author of The New New Rules and When You Ride Alone, You Ride With bin Laden—is all three. As a comedian, he has a great deal of leeway to make fun of people in politics, and he often delivers hilarious swipes with a deadpan face. The author describes himself as a traditional liberal, with a disdain for Republicans (especially the MAGA variety) and a belief in free speech and personal freedom. He claims that he has stayed much the same for more than 20 years, while the left, he argues, has marched toward intolerance. He sees an addiction to extremism on both sides of the aisle, which fosters the belief that anyone who disagrees with you must be an enemy to be destroyed. However, Maher has always displayed his own streaks of extremism, and his scorched-earth takedowns eventually become problematic. The author has something nasty to say about everyone, it seems, and the sarcastic tone starts after more than 300 pages. As has been the case throughout his career, Maher is best taken in small doses. The book is worth reading for the author’s often spot-on skewering of inept politicians and celebrities, but it might be advisable to occasionally dip into it rather than read the whole thing in one sitting. Some parts of the text are hilarious, but others are merely insulting. Maher is undeniably talented, but some restraint would have produced a better book.

Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.

Pub Date: May 21, 2024

ISBN: 9781668051351

Page Count: 384

Publisher: Simon & Schuster

Review Posted Online: March 5, 2024

Kirkus Reviews Issue: April 1, 2024

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