A potentially hilarious cogitation on art and artists that fails to fully exploit its comic potential.
A film critic in a dystopian near future ruminates on life and art in the pages of his movie reviews.
This eccentric debut by Mattson offers a deviant take on the epistolary novel by couching its sad tale of regret in the pages of 80 movie reviews. Our esteemed author is professional nobody Noah Body, one of two film critics for a content aggregator dubbed the Central Hub Slaw, a publication with so few readers that Body treats his column as a kind of personal soapbox/therapy session. Body’s world is kind of a mess after some unknown blight locals call “the crisis,” with neighborhoods divided into safe zones and places like "Mini Aleppo," where Body lives; citizens “chipped” with GPS trackers; and travel taking place by suborbital “slingshot” capsules. The ghost that haunts Body’s story is his ex-wife, Isabel, who has recently run off with his best frenemy, James Osvald, a clerk and amateur filmmaker whose death Body imagines with glee. “Isabel who was my wife,” says Body. “I don’t see her well anymore. Her face is like the face of a coin. The mold deforms as years of minting pass.” On the domestic front, Body romances his therapist, Dr. Lisa, believes that Osvald has possessed his body, and plots the making of a complex period film called Altarpiece set in the Renaissance and backed by fellow critic Harris V. Jonson. The book’s humor is often wry, but subplots involving Jonson’s cheating wife and a thuggish vending machine tycoon trying to horn in on Body’s film are far less engaging than his aberrant rivalry with Osvald. The gimmick of the novel, the 80 phantasmagoric films that Body critiques, is dryly funny, but readers may tire of Body’s deadpan, aristocratic wit despite his outlandish surroundings.
A potentially hilarious cogitation on art and artists that fails to fully exploit its comic potential.Pub Date: Aug. 7, 2018
ISBN: 978-0-525-52284-3
Page Count: 288
Publisher: Penguin Press
Review Posted Online: May 28, 2018
Kirkus Reviews Issue: June 15, 2018
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: he’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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