by Joshua A. McClure ‧ RELEASE DATE: Nov. 3, 2016
An energetic, inviting breakdown of sections of Genesis.
A senior pastor’s faith-based attempt to grapple with the origins of humanity.
“Is it possible one can get so involved in ‘religion’ they miss Christ?” asks McClure (Who Do You Say I Am?, 2013, etc.) at one point in his passionate and rhetorically fluid 2016 book, adding an implicit warning about worship-minded Christians who “know the rules but missed the Savior.” This emphasis on faith instead of faith rituals runs throughout this book, a warning against the ecumenical softening of the present age. “I have been amazed at how many church leaders and Christian education directors have told me that study of the Word of God is too hard and requires too much time,” he writes. His contention is that Bible study is not only essential to the Christian life, but also far easier and more natural than many modern-day Christians believe. He goes on to demonstrate this latter point by conducting a patient, accessible reading of the earliest stories in the book of Genesis, with particular concentration on the creation of humans in the Garden of Eden. “The more I consider Adam’s rising from the dust of the earth,” he writes, “the more I am convinced his origin is the key to unlocking the mysteries of creation.” This key is likewise a familiar theme in McClure’s work, this “hunger” of the faithful for a relationship with God, the duty to “allow ourselves to move deeper into God, closer to the heart of God—to be centered in God.” McClure has read widely and knows his Bible from front to back; his book is softened with many personal stories and peppered with quotes from Scripture. The book contains the usual dangers of a jeremiad: McClure’s “back to basics” approach must ignore legitimate complexity in order to land its points. The combination of personal and pastoral, however, strikes a near-perfect balance between instruction and fellowship. McClure’s Christian readers will read with pleasure.
An energetic, inviting breakdown of sections of Genesis.Pub Date: Nov. 3, 2016
ISBN: 978-1-63269-426-3
Page Count: -
Publisher: Deep River Books
Review Posted Online: Aug. 2, 2017
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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by Ludwig Bemelmans ; illustrated by Steven Salerno
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