A slew of gloriously disturbing, well-told tales to unnerve readers.
Viola (Luna One, 2014, etc.) amasses a series of blistering horror stories, including a few of his own, from authors who tell of vampires, demons, killers, and things better left hidden in the dark.
Steve Rasnic Tem opens this collection with “The Brollachan,” a Lovecraft-ian narrative in which a creature’s evil may live on through its lineage. The stories here are largely traditional with contemporary touches. Some take familiar setups in unexpected directions. In the post-apocalyptic world of Stephen Graham Jones’ “The Man Who Killed Texas,” for example, a guy makes a harrowing decision to protect the Lone Star State from a plague; and humankind survives an alien invasion in Mario Acevedo’s “Zôu Gôu” only to discover that the horror may not be over. Others play with the relative safety of modern settings: a golfing buddy disappears from a golf course in Sean Eads’ “Lost Balls,” while the office Christmas party in J.V. Kyle’s (a pseudonym for Viola and Keith Ferrell) “Bathroom Break” takes a ghastly turn. The prose is consistently outstanding, and there isn’t a single dud here. A few stories, however, do stand above the rest. Ferrell’s Poe-esque “Be Seated” turns a simple chair into a macabre entity; Jason Heller’s “The Projectionist” features a beast that’ll make readers quiver or queasy or a little of both; and in Viola’s “The Librarian,” a man who checks out and returns the same six library books every week isn’t even the eeriest part of the tale. A couple of stories are predominantly tongue-in-cheek: there’s a vampire curious about a batch of especially delicious victims (Kyle’s “Fangs”), and guess what stoners do with a magic lamp in Acevedo’s “Gurgle. Gurgle.”? All 20 stories, disconcerting in their own ways, leave impressions individually as well as collectively. Illustrations from artist Lovett[b1] —searing images that look as if they’ve been etched in stone and spattered with blood—precede each story.
A slew of gloriously disturbing, well-told tales to unnerve readers.Pub Date: Oct. 11, 2015
ISBN: 978-0-9855590-9-0
Page Count: 280
Publisher: Hex Publishers
Review Posted Online: Nov. 10, 2015
Kirkus Reviews Issue: Dec. 15, 2015
Review Program: Kirkus Indie
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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