What if we were all just characters from a book written by Major Albert Knag as a philosophical present for his daughter Hilde's 15th birthday? This is the question that Sophie Amundsen must ask as she tackles the history of philosophy in what begins as a personalized correspondence course for which she never signed up. Coming home from school one day, Sophie finds questions in her mailbox, followed by typewritten pages about philosophy. She also gets strange birthday cards apparently intended for a Hilde Mller Knag in Lillesand, whom she has never met. Through these unusual circumstances, Sophie embarks on the study of philosophy with Alberto Knox—a middle-aged mystery man in a beret—only to discover that she is nothing more than the fictional heroine of a novel (called Sophie's World) about the history of philosophy. Hilde, on the other hand, whom we meet halfway through the book, appears to be a real girl whose father has written a novel entitled Sophie's World. She in turn learns about philosophy by reading about Sophie's study of philosophy, never suspecting that she is merely a character in a book—Sophie's World—written by a philosophy teacher named Jostein Gaarder to teach teenagers the beauty of philosophical discourse. In this long, self- referential novel (to use the word loosely), Gaarder presents philosophy in a clear, cogent way, using Sophie's and Hilde's experiences to illustrate his points. The reader who is expecting something other than a creative textbook, however, will be disappointed. Maybe Gaarder can fool Norwegian youths into learning philosophy, but savvy American kids won't be so easily hoodwinked. Index. (Philosophy/Fiction. All ages)
Pub Date: Sept. 1, 1994
ISBN: 0-374-26642-5
Page Count: 448
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1994
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
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