by Jotham Austin, II ‧ RELEASE DATE: Feb. 19, 2021
An intriguing, original tale for readers looking for something a bit out of the ordinary.
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A psychological thriller in which a traveler receives the memories of every other person on his flight—and is unable to control who takes the lead in his mind.
When SF writer Brian Watson takes Flight 2164 from Philadelphia to Chicago, he doesn’t expect it to be eventful. But as all the passengers make their way to the baggage carousel, confusion sweeps through the crowd; suddenly, no one knows who they are or where they are. Everyone except Brian, that is, who now has the memories of all 110 passengers and members of the flight crew. However, he can’t control when these recollections will pop to the forefront of his brain—sometimes he wakes up unsure of his own name, what his interests are, or even what he was doing just a few moments before. Brian just wants to get rid of these excess memories and resume his normal, happy relationship with Brenda, to whom he’s engaged to be married. Doctors don’t know what to make of what’s happening to him, although one nurse, Marci, shows an unusual interest in him; she’s after very specific memories from Brian and even tries to overwhelm his senses with a makeout session that feels oddly familiar to him. Soon, Brian recalls talking to Marci about being able to transmit memories from one person to another—but whose memory is he experiencing? Debut author Austin delivers a psychological thriller novel with just enough science fiction mixed in to interest fans of either genre. The story can feel jarring and confusing at times, as Brian fades in and out of other people’s recollections and lives and the text occasionally falls into a stream-of-consciousness style. The tale is told from Brian’s point of view but also from the perspective of whomever’s in the lead in his head at a given time. However, the author makes sure that his protagonist floats in and out of memories seamlessly, giving the overall narrative a steady flow that makes for an easy read.
An intriguing, original tale for readers looking for something a bit out of the ordinary.Pub Date: Feb. 19, 2021
ISBN: 978-1-949398-49-6
Page Count: 406
Publisher: Rhetoric Askew, LLC
Review Posted Online: March 19, 2021
Review Program: Kirkus Indie
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
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New York Times Bestseller
IndieBound Bestseller
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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