Here's the stuff of nightmares for those intimidated by doctors, and husbands for that matter, from the author a Kiss Mommy Goodbye (l98l) and others. Fielding's psychological suspenses have always been geared toward the girls, and See Jane Run is no exception. Quelle surprise when Jane Whittaker finds herself in the middle of downtown Boston with blood spattered on the front of her dress, $l0,000 in large bills stuffed in her pockets, and no idea who she is! After stashing the filthy frock and loot in a locker and roaming aimlessly for a spell, she winds up in Boston Hospital, where she's recognized as the wife of the widely respected pediatrician, Michael Whittaker. He claims her, takes her home to the suburbs, acts oh so nice, installs a fascist housekeeper to watch over her while he's at work, and feeds her lots of funny little pills which only make her feel worse. Other things further unhinge her: the fresh scar on Michael's forehead (which she connects with the blood on her dress), neighbor, Carole, who accuses her an extramarital affair, and the news that she has a daughter, Emily, who Michael is keeping out of sight. One foiled runaway attempt brings revelations from the good doctor, who tells Jane that she killed both her mother and Emily, and bashed him with an Oriental vase, causing the cut. Understandably, Jane freaks, making drug injections seem reasonable, though they turn her into a near vegetable. But when she learns by accident that Emily is alive, she bolts, intent on figuring out what really happened on the day her amnesia set in. The ugly truth has to do with Michael's deep, dark attraction to little girls—which he's ready to do anything to hide. Fielding's tracking of Jane's amnesia is belabored, but besides this the book's a bang-up good read, What Ever Happened to Baby Jane meets The Good Mother, and probably Fielding's best since Kiss Mommy Goodbye.
Pub Date: May 16, 1991
ISBN: 0-688-08867-8
Page Count: 416
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1991
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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