For the most part, though, a tonic account of how one woman discovers her truest self in the face of supreme disaster.
Fielding forgoes the criminal emphasis of her recent soccer-mom thrillers (Missing Pieces, 1997, etc.) to focus on the greatest noncriminal peril of all: an early death sentence.
It hasn't all been roses for Mattie Hart. She's never felt close to her mother or the husband who married her because she was pregnant. Now that Jake Hart is making a name in Chicago law circles, the problems continue. He can't stop chasing skirts, and his daughter Kim wants even less to do with him than most 15-year-olds. It all seems to come to a head when Jake announces that he's moving in with his latest lover, novelist Honey Novak. But Jake's desertion is only a warm-up for a far more momentous ordeal: the news that Mattie's been falling down, laughing uncontrollably, and feeling her foot go to sleep recently because she's in the early stages of ALS, the disease that struck down Lou Gehrig in his prime. What can Mattie do with the year (or, if she's lucky, two or three) she has left? Fielding acutely traces her early alternation of impulsive self-indulgence (going on a shopping spree, buying a sports car she soon won't be able to drive, arranging a fling of her own) and dull despair (the most routine tasks take longer, the simplest decisions become monstrously complicated). Along with the annoyingly banal problems she'd have to cope with even if she weren't dying, Mattie now feels a new urgency in her attempts to understand her estranged husband, whose childhood had been even more traumatic than hers. Predictably but magically, the challenge of Mattie's physical degeneration rekindles her love of life and laughter and her errant spouse. It's only in the final stages of the illness, when Mattie's state seems to require some deeper insight, that Fielding comes up short.
For the most part, though, a tonic account of how one woman discovers her truest self in the face of supreme disaster.Pub Date: Sept. 1, 2000
ISBN: 0-7434-0705-9
Page Count: 384
Publisher: Pocket
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 15, 2000
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A tour de force.
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
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