by Joy N. Hulme & illustrated by Carol Schwartz ‧ RELEASE DATE: Sept. 1, 2005
The organizing principle of this unusual counting book is the mathematical Fibonacci sequence (1, 1, 2, 3, 5, 8, 13, etc.), which, when plotted on a graph, forms an “equiangular spiral”—a curve frequently found in nature. Thus, one animal with a Fibonacci spiral (walrus tusk) leads to another (elephant tusk), accumulating according to the pattern. Two parrots’ beaks, three crocodiles’ teeth and five raptors’ talons progress to 55 ibises’ bills and 89 spiraled seashells. Schwartz’s finely detailed illustrations depict the easily counted animals in their habitats, panels at the leading edge of each spread featuring dots and equations that illustrate where readers are in the sequence. Hulme’s simplistic verse is disappointingly out of sync with the complexity of the mathematical and zoological concepts here, however; the reader must sludge through a densely packed double-page spread of explanation before launching into the main narrative in order to begin to grasp what is going on. Older readers will rankle at the delivery, and younger readers will miss the point completely. It’s an entirely novel way to present a very tricky idea, but it just doesn’t add up quite right. (Picture book. 7+)
Pub Date: Sept. 1, 2005
ISBN: 1-58246-154-6
Page Count: 32
Publisher: Tricycle
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2005
Share your opinion of this book
More by Joy N. Hulme
BOOK REVIEW
by Joy N. Hulme & illustrated by Dan Andreasen
BOOK REVIEW
by Joy N. Hulme & illustrated by Lizzy Rockwell
BOOK REVIEW
by Joy N. Hulme
by Peter Brown ; illustrated by Peter Brown ‧ RELEASE DATE: April 5, 2016
Thought-provoking and charming.
Awards & Accolades
Our Verdict
GET IT
Kirkus Reviews'
Best Books Of 2016
New York Times Bestseller
A sophisticated robot—with the capacity to use senses of sight, hearing, and smell—is washed to shore on an island, the only robot survivor of a cargo of 500.
When otters play with her protective packaging, the robot is accidently activated. Roz, though without emotions, is intelligent and versatile. She can observe and learn in service of both her survival and her principle function: to help. Brown links these basic functions to the kind of evolution Roz undergoes as she figures out how to stay dry and intact in her wild environment—not easy, with pine cones and poop dropping from above, stormy weather, and a family of cranky bears. She learns to understand and eventually speak the language of the wild creatures (each species with its different “accent”). An accident leaves her the sole protector of a baby goose, and Roz must ask other creatures for help to shelter and feed the gosling. Roz’s growing connection with her environment is sweetly funny, reminiscent of Randall Jarrell’s The Animal Family. At every moment Roz’s actions seem plausible and logical yet surprisingly full of something like feeling. Robot hunters with guns figure into the climax of the story as the outside world intrudes. While the end to Roz’s benign and wild life is startling and violent, Brown leaves Roz and her companions—and readers—with hope.
Thought-provoking and charming. (Science fiction/fantasy. 7-11)Pub Date: April 5, 2016
ISBN: 978-0-316-38199-4
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Jan. 19, 2016
Kirkus Reviews Issue: Feb. 1, 2016
Share your opinion of this book
More In The Series
by Peter Brown ; illustrated by Peter Brown
by Peter Brown ; illustrated by Peter Brown
More by Peter Brown
BOOK REVIEW
by Peter Brown ; illustrated by Peter Brown
BOOK REVIEW
by Aaron Reynolds ; illustrated by Peter Brown
BOOK REVIEW
by Peter Brown ; illustrated by Peter Brown
More About This Book
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
by Mae Respicio ‧ RELEASE DATE: June 12, 2018
This delightful debut welcomes readers in like a house filled with love.
A 13-year-old biracial girl longs to build the house of her dreams.
For Lou Bulosan-Nelson, normal is her “gigantic extended family squished into Lola’s for every holiday imaginable.” She shares a bedroom with her Filipina mother, Minda—a former interior-design major and current nurse-to-be—in Lola Celina’s San Francisco home. From her deceased white father, Michael, Lou inherited “not-so-Filipino features,” his love for architecture, and some land. Lou’s quietude implies her keen eye for details, but her passion for creating with her hands resonates loudly. Pining for something to claim as her own, she plans to construct a house from the ground up. When her mom considers moving out of state for a potential job and Lou’s land is at risk of being auctioned off, Lou stays resilient, gathering support from both friends and family to make her dream a reality. Respicio authentically depicts the richness of Philippine culture, incorporating Filipino language, insights into Lou’s family history, and well-crafted descriptions of customs, such as the birdlike Tinikling dance and eating kamayan style (with one’s hands), throughout. Lou’s story gives voice to Filipino youth, addressing cultural differences, the importance of bayanihan (community), and the true meaning of home.
This delightful debut welcomes readers in like a house filled with love. (Fiction. 8-13)Pub Date: June 12, 2018
ISBN: 978-1-5247-1794-0
Page Count: 240
Publisher: Wendy Lamb/Random
Review Posted Online: March 3, 2018
Kirkus Reviews Issue: March 15, 2018
Share your opinion of this book
More by Mae Respicio
BOOK REVIEW
by Mae Respicio
BOOK REVIEW
by Mae Respicio
BOOK REVIEW
by Mae Respicio
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.