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STEALING THE SHOW

HOW WOMEN ARE REVOLUTIONIZING TELEVISION

An urgent and entertaining history of the transformative powers of women in TV.

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A veteran cultural critic examines the rise of female-centric TV and the pioneering women showrunners behind their successes.

Groundbreaking female characters and their stories have become fixtures in American TV in recent years, but their presence hasn’t always been welcome. Press (War of the Words: 20 Years of Writing on Contemporary Literature, 2001, etc.)—former TV critic at the Village Voice and entertainment editor at Salon and the Los Angeles Times—draws from decades of interviews, research, and reporting to create a vibrant behind-the-scenes look at some of the most prominent women creatives in the industry and the role they played in bringing women-focused narratives to the forefront of modern TV and culture. She devotes the first chapter to Murphy Brown and the revolutionary sitcom’s creator, Diane English, one of the first female showrunners to prove that a woman could lead a successful show. English set an important precedent for future women showrunners and their unapologetically brazen TV heroines—Grey’s Anatomy creator Shonda Rhimes, an industry trailblazer whose portrayal of unabashedly ambitious, sexually formidable, “unlikable” women of all different races, ethnicities, sexualities, and abilities transformed the TV landscape. Rhimes’ “color blind” casting helped her build her Shondaland TV empire and effectively normalized the idea that nonwhite, nonmales can be successful on-screen, behind-the-scenes, and in real life. In the most intriguing and intimate chapter, Press examines Transparent creator Jill Soloway, whose real life served as inspiration for her award-winning show about a family who recently learned that their parent is transgender. With a keen eye and a sharp writing style, the author presents the argument that, despite the limited power of TV and the current political backlash facing women, increased representation on-screen has the potential to inspire a cultural revolution not unlike the current revival of the feminist movement. The author also profiles Mindy Kaling, Tina Fey, Amy Schumer, and Jenji Kohan, among others.

An urgent and entertaining history of the transformative powers of women in TV.

Pub Date: March 6, 2018

ISBN: 978-1-5011-3771-6

Page Count: 288

Publisher: Atria

Review Posted Online: Dec. 6, 2017

Kirkus Reviews Issue: Jan. 1, 2018

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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HOW DEMOCRACIES DIE

The value of this book is the context it provides, in a style aimed at a concerned citizenry rather than fellow academics,...

A provocative analysis of the parallels between Donald Trump’s ascent and the fall of other democracies.

Following the last presidential election, Levitsky (Transforming Labor-Based Parties in Latin America, 2003, etc.) and Ziblatt (Conservative Parties and the Birth of Democracy, 2017, etc.), both professors of government at Harvard, wrote an op-ed column titled, “Is Donald Trump a Threat to Democracy?” The answer here is a resounding yes, though, as in that column, the authors underscore their belief that the crisis extends well beyond the power won by an outsider whom they consider a demagogue and a liar. “Donald Trump may have accelerated the process, but he didn’t cause it,” they write of the politics-as-warfare mentality. “The weakening of our democratic norms is rooted in extreme partisan polarization—one that extends beyond policy differences into an existential conflict over race and culture.” The authors fault the Republican establishment for failing to stand up to Trump, even if that meant electing his opponent, and they seem almost wistfully nostalgic for the days when power brokers in smoke-filled rooms kept candidacies restricted to a club whose members knew how to play by the rules. Those supporting the candidacy of Bernie Sanders might take as much issue with their prescriptions as Trump followers will. However, the comparisons they draw to how democratic populism paved the way toward tyranny in Peru, Venezuela, Chile, and elsewhere are chilling. Among the warning signs they highlight are the Republican Senate’s refusal to consider Barack Obama’s Supreme Court nominee as well as Trump’s demonization of political opponents, minorities, and the media. As disturbing as they find the dismantling of Democratic safeguards, Levitsky and Ziblatt suggest that “a broad opposition coalition would have important benefits,” though such a coalition would strike some as a move to the center, a return to politics as usual, and even a pragmatic betrayal of principles.

The value of this book is the context it provides, in a style aimed at a concerned citizenry rather than fellow academics, rather than in the consensus it is not likely to build.

Pub Date: Jan. 16, 2018

ISBN: 978-1-5247-6293-3

Page Count: 320

Publisher: Crown

Review Posted Online: Nov. 12, 2017

Kirkus Reviews Issue: Dec. 1, 2017

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