Williams is in top form here (State of Grace, 1990, etc.), her outrage balanced by a wise, compassionate, bemused overview....
A highly original coming-of-ager that integrates the gothic and magical realism in its consideration of families, youth, souls, and the fates of species.
Alice, age 16 and living with her grandparents outside Phoenix, rants about ecological disaster and animal slaughter. On her treks through the desert—primers for naturalists—she sees the functions and habits of desert life as comparable to the human spirit and nature: “Plants were lucky because when they adapted it wasn’t considered a compromise. It was more difficult for a human being, a girl.” Despite that difficulty, adapt she does, often miraculously well. Only hours after being ripped off and abandoned in the desert by an adult employer, Alice sits back home eating cheese sandwiches and spaghetti. The story rolls from the disturbing and frightening to the surreally banal, with Alice’s psyche as the roller-coaster’s engine. Her friend Annabel arrives in the desert from back east, where her mother recently died. Her sexually confused and enormously wealthy father, Carter, is trying to escape his dead wife Ginger’s ghost—to no avail. Hilarious scenes between Carter and said ghost raise marital bickering from the mundane to the cosmic. In a somewhat dizzying middle passage that cross-cuts between characters and events, a house burns down, a dog is hung, a 19-year-old drifter carries a dead bighorn ram across his back, a panicked deer thrashes in a swimming pool, a gay piano-player contemplates bathtub suicide, and an eight-year-old poet pickets against taxidermy outside a museum of stuffed animals. In an upended noir motif, Carter tries to hire Alice to kill his already dead wife. The dead, in this novel, are as restless as the living.
Williams is in top form here (State of Grace, 1990, etc.), her outrage balanced by a wise, compassionate, bemused overview. Think Denis Johnson’s world, minus the drugs—ultimately, though, Williams echoes only herself in a risky, frisky, profound book.Pub Date: Oct. 4, 2000
ISBN: 0-679-44646-X
Page Count: 312
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2000
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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