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THOMAS JEFFERSON

A useful slap against the reactionaries who today claim descent from Jeffersonian ideals.

A portrait of our most controversial Founding Father as a genuine radical possessed of dangerous, frightening ideas about human nature and government.

Thomas Jefferson was alone among his revolutionary peers in anticipating the advent of American democracy and striving to assure its peaceful birth, the author writes: “He resisted the notion that political equality was a chimera and strove to root out the last monarchical remnants from American culture,” a project that set him in constant opposition to his privileged peers and particularly in opposition to the Federalist Party, the political organ of their class. Appleby (History/UCLA; Inheriting the Revolution, 2000, etc.) takes quite seriously Jefferson’s boast that his election represented “as real a revolution in the principles of our government as that of 1776 was in its form”; furthermore, she reckons with some amazement that no American with such a radical bent has met with quite the same level of electoral approval as did Jefferson, though it could be argued that we have never achieved his vision of a liberal, democratic America in which the governors and governed alike possessed “rationality, the drive for self-improvement, the capacity to work independently and to cooperate without coercion.” Jefferson was a dreamer, impractical and torn by contradictions, Appleby allows; what is remarkable is that a man of such resolute devotion to liberty could have emerged from his class and position, even if his notion of liberty kept it the province of white men. For all that, Appleby insists again and again, Jefferson was a true radical whose polished words were not mere rhetorical exercises. When he said, “I like a little rebellion from time to time. It clears the atmosphere,” he meant it.

A useful slap against the reactionaries who today claim descent from Jeffersonian ideals.

Pub Date: Feb. 1, 2003

ISBN: 0-8050-6924-0

Page Count: 192

Publisher: Henry Holt

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2002

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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