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BEASTS

It’s not subtle, but it works. Whenever Oates (Middle Age, p. 970, etc.) composes at this length, she doesn’t pad or...

Oates’s newest novella is a tale of academe similar to (though darker than) such earlier books as The Hungry Ghosts (1974) and American Appetites (1989).

The story begins and ends in Paris, in the Louvre, where protagonist Gillian Brauer observes a garishly expressionistic “totem” that triggers buried memories of her college years. Oates thereafter moves backward and forward in time and among a catastrophic 1975 house fire in a college community in Massachusetts’s Berkshire Mountains, the events leading up to it, and Gillian’s conflicted feelings about the couple who “adopted” her, and her own inchoate sensibility and sexuality. At Catamount College for Women, in the wake of the permissive, volatile late 1960s, Gillian falls under the spell of her literature professor Andre Harrow, a charismatic (if vaguely goatish) mentor who chants D.H. Lawrence’s “voluptuous” verses to his poetry-writing seminar students, and teasingly addresses withdrawn Gillian as “Philomela” (a telling allusion to Ovid’s Metamorphoses). Meanwhile, a series of small fires set by an uncaught arsonist terrifies Catamount’s students (two of whom happen to be named Sibyl and Cassandra)—as Gillian finds herself attracted as well to Harrow’s sultry French wife Dorcas, a sculptress whose powerfully animistic, “primitive and dramatic” half-human figures hewed out of wood hint at elemental experiences Gillian is only beginning to imagine. Their correlative is Andre’s classroom mantra “Go deeper. Go for the jugular.” As Gillian becomes the latest of a number of students made the Harrows’ sexual and domestic slaves, Andre’s imperative that artists must acknowledge their pagan, animal natures and act accordingly is ironically fulfilled as is the motto engraved on Dorcas’s creations: “WE ARE BEASTS AND THIS IS OUR CONSOLATION.”

It’s not subtle, but it works. Whenever Oates (Middle Age, p. 970, etc.) composes at this length, she doesn’t pad or overwrite. The result is a cunning fusion of Gothic romance and psychological horror story, and one of her best recent books.

Pub Date: Jan. 1, 2001

ISBN: 0-7867-0896-4

Page Count: 128

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2001

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A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

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BADLANDS

A suspenseful, professional-grade north country procedural whose heroine, a deft mix of compassion and attitude, would be...

Box takes another break from his highly successful Joe Pickett series (Stone Cold, 2014, etc.) for a stand-alone about a police detective, a developmentally delayed boy, and a package everyone in North Dakota wants to grab.

Cassandra Dewell can’t leave Montana’s Lewis and Clark County fast enough for her new job as chief investigator for Jon Kirkbride, sheriff of Bakken County. She leaves behind no memories worth keeping: her husband is dead, her boss has made no bones about disliking her, and she’s looking forward to new responsibilities and the higher salary underwritten by North Dakota’s sudden oil boom. But Bakken County has its own issues. For one thing, it’s cold—a whole lot colder than the coldest weather Cassie’s ever imagined. For another, the job she turns out to have been hired for—leading an investigation her new boss doesn’t feel he can entrust to his own force—makes her queasy. The biggest problem, though, is one she doesn’t know about until it slaps her in the face. A fatal car accident that was anything but accidental has jarred loose a stash of methamphetamines and cash that’s become the center of a battle between the Sons of Freedom, Bakken County’s traditional drug sellers, and MS-13, the Salvadorian upstarts who are muscling in on their territory. It’s a setup that leaves scant room for law enforcement officers or for Kyle Westergaard, the 12-year-old paperboy damaged since birth by fetal alcohol syndrome, who’s walked away from the wreck with a prize all too many people would kill for.

A suspenseful, professional-grade north country procedural whose heroine, a deft mix of compassion and attitude, would be welcome to return and tie up the gaping loose end Box leaves. The unrelenting cold makes this the perfect beach read.

Pub Date: July 28, 2015

ISBN: 978-0-312-58321-7

Page Count: 272

Publisher: Minotaur

Review Posted Online: April 21, 2015

Kirkus Reviews Issue: May 15, 2015

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