A nondescript and intermittently tedious collection of 22 stories: the last two or three years' worth from the protean Oates, who seems here to be reworking with minimal variations materials she has used far too many times before. Preoccupying themes include, as always, the psychic undercurrents and emotional consequences of marital and domestic coexistence and conflict; the tensions between prosperous, complacent people and the underprivileged and envious outsiders who threaten their security: in a more general way, what one of her narrators calls "Perennial questions of philosophy. The mystery of good, evil. God, Devil." Oates's characters are placed in melodramatic or grotesque circumstances that cause them to reconsider who and what they are: Examples include "Life After High School," in which a "golden girl" for whom a classmate committed suicide later learns the truth about his infatuation with her; "The Goose-Girl," a strange story about a mother's initially reluctant involvement in her grown son's sexual confusions; and "The Missing Person," a smartly conceived tale—about a man's baffled empathy with the deeply troubled woman he loves—that's nevertheless clumsily overwritten. Sexual disturbance and threat predominate ("The Lost Child," "The Girl Who Was to Die"), as does domestic violence ("Christmas Night 1962"), and—in a reversion to Oates's early work—religious obsession ("Mark of Satan" is the weakest of several such subpar performances). Two stories alone seem worth preserving: "The Brothers," whose title "characters" are fantasized objective correlatives pushing a repressed music teacher toward acknowledgement of his true "erotic nature"; and "The Passion of Rydcie Mather," a skillfully developed tale of a middle-aged schoolbus driver's quarrel with God and decision to take control of her own fate. There's little else of interest here. Oates's reputation—to say nothing of her readers—would be better served by a carefully chosen Selected Stories showcasing her best work of the past 30-plus years, which isn't much more than a faint memory flickering throughout this deeply disappointing volume.
Pub Date: Feb. 12, 1996
ISBN: 0-525-93972-5
Page Count: 384
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1995
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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