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HOUSE OF LIGHT

Lyrical, earthy prose gives this deceptively simple story depth and richness.

An African-American doctor is blessed with the power to heal bodies and souls: in the first adult fiction by noted YA author Thomas (The Bowlegged Rooster, 2000, etc.).

Dr. Abyssinia Jackson knows nearly everything about the people in her practice and even understands what they don't tell her. The close-knit black community of Ponca City, Oklahoma, respects and cherishes the dedicated physician, who sees to their every need, and her modest offices are known as the House of Light. Religion, even among these regular churchgoers, only goes so far. While Pearline prays for relief from her troubles by placing her hand on the radio during the preacher's sermon, she finally sees the light and goes to Dr. Jackson after a vicious beating from her jealous husband Isaiah. Fortunately, Pearline's long-lost friend Zenobia, a blues singer and a force to be reckoned with, is coming back to town on the 5:30 bus. If Zenobia can't sing some courage into her, no one can. Pearline's other big worry is her grandma Vennie, worn out by years of domestic service to a suspicious, cantankerous white woman. But Vennie gets by, if only thanks to Dr. Jackson, who even manages to help Isaiah with her instinctive understanding of the psychological demons that assail him. Zenobia goes to work as a housekeeper for a lonely widower who falls in love with her; she's saved by the good doctor when she runs out into the snow in an ecstatic trance and nearly freezes to death. Indeed, an ecstatic thread links all these souls, especially in the gospel songs of faith and redemption that all share and sing. Abyssinia's greatest gift comes at Christmas, when her daughter, Amber, returns from California carrying with her a song she has composed for her mother.

Lyrical, earthy prose gives this deceptively simple story depth and richness.

Pub Date: April 1, 2001

ISBN: 0-7868-6606-3

Page Count: 288

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2001

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TELL ME LIES

There are unforgettable beauties in this very sexy story.

Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 19, 2018

Kirkus Reviews Issue: April 1, 2018

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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