Thomas and Cooper have given us, especially Californians, a moving love song.
Based on her family's move from Oklahoma to California in 1948 when she was 10, Thomas tells of the train trip and her subsequent love for the "Golden State" in poetic language distinguished by strong verbs and striking images.
It was a time soon after World War II, when many people of color relocated. She relates the long train ride to the "Land of Milk and Honey" and describes the state in its varied landscapes, from deserts to the agricultural richness of the Central Valley and the people who work the crops to "the city / where the ships sit / anchored in the coastal waters / like iron mountains / docked in the bay." Cooper's art, in textured sepia with bits of color to highlight action, shows the people—all of whom are African-American—as a young person might have experienced what she saw, reinforcing the text's homey details: The narrator chases her sandwich "with Grapette soda pop / the bottle streaked with marbles of cold." His paintings expand over full openings and carry the eye with portraits of people and places from Southern California to the Golden Gate Bridge. But both text and illustration concentrate on the people who found the "Land of Milk and Honey"—and remained.
Thomas and Cooper have given us, especially Californians, a moving love song. (Picture book. 5-8)Pub Date: Sept. 1, 2012
ISBN: 978-0-06-025383-7
Page Count: 32
Publisher: Amistad/HarperCollins
Review Posted Online: July 17, 2012
Kirkus Reviews Issue: Aug. 1, 2012
This story covers the few days preceding the much-anticipated Midnight Zombie Walk, when Stink and company will take to the...
An all-zombie-all-the-time zombiefest, featuring a bunch of grade-school kids, including protagonist Stink and his happy comrades.
This story covers the few days preceding the much-anticipated Midnight Zombie Walk, when Stink and company will take to the streets in the time-honored stiff-armed, stiff-legged fashion. McDonald signals her intent on page one: “Stink and Webster were playing Attack of the Knitting Needle Zombies when Fred Zombie’s eye fell off and rolled across the floor.” The farce is as broad as the Atlantic, with enough spookiness just below the surface to provide the all-important shivers. Accompanied by Reynolds’ drawings—dozens of scene-setting gems with good, creepy living dead—McDonald shapes chapters around zombie motifs: making zombie costumes, eating zombie fare at school, reading zombie books each other to reach the one-million-minutes-of-reading challenge. When the zombie walk happens, it delivers solid zombie awfulness. McDonald’s feel-good tone is deeply encouraging for readers to get up and do this for themselves because it looks like so much darned fun, while the sub-message—that reading grows “strong hearts and minds,” as well as teeth and bones—is enough of a vital interest to the story line to be taken at face value.Pub Date: March 13, 2012
ISBN: 978-0-7636-5692-8
Page Count: 160
Publisher: Candlewick
Review Posted Online: Dec. 13, 2011
Kirkus Reviews Issue: Jan. 1, 2012
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Although the love comes shining through, the text often confuses in straining for patterned simplicity.
A collection of parental wishes for a child.
It starts out simply enough: two children run pell-mell across an open field, one holding a high-flying kite with the line “I wish you more ups than downs.” But on subsequent pages, some of the analogous concepts are confusing or ambiguous. The line “I wish you more tippy-toes than deep” accompanies a picture of a boy happily swimming in a pool. His feet are visible, but it's not clear whether he's floating in the deep end or standing in the shallow. Then there's a picture of a boy on a beach, his pockets bulging with driftwood and colorful shells, looking frustrated that his pockets won't hold the rest of his beachcombing treasures, which lie tantalizingly before him on the sand. The line reads: “I wish you more treasures than pockets.” Most children will feel the better wish would be that he had just the right amount of pockets for his treasures. Some of the wordplay, such as “more can than knot” and “more pause than fast-forward,” will tickle older readers with their accompanying, comical illustrations. The beautifully simple pictures are a sweet, kid- and parent-appealing blend of comic-strip style and fine art; the cast of children depicted is commendably multiethnic.
Although the love comes shining through, the text often confuses in straining for patterned simplicity. (Picture book. 5-8)Pub Date: April 1, 2015
ISBN: 978-1-4521-2699-9
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: Feb. 15, 2015
Kirkus Reviews Issue: March 1, 2015
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