Never pedantic, this book encourages a fun, developmentally appropriate way to look at the world.
“Pitter, pitter, pat! Pitter, pitter, pat!...Hey, it’s a pitter, pitter pattern!”
Spots (on a dog), nested diamonds (on the wallpaper), houndstooth (on clothing)—there are so many patterns to see! At first, Hesselberth presents sequences textually with visual support as main character Lu, with light-brown skin and dark-brown hair, helps her friends (a short, black-presenting child and a tall, white-presenting child) remove their wet boots. Then the days of the week carry the narrative along to next Sunday, when Lu can see her friends again. There are patterns to identify in each day’s activity, like the pentagons on a soccer ball, beats in a musical piece, and intricate quilt patterns. Guided identification transitions easily into open questions (“Are there patterns here?”) for nature scenes viewed with Lu’s interracial family. Geometric illustrations are chock full of patterns to spot, but the sweeping two-paged spreads are never overwhelming, partially thanks to strategically juxtaposed colors. Hesselberth includes backmatter on pattern types (repeating vs. growing) and places to find patterns (nature, time, etc.) to prompt further discussions. The text and essential pictures offer bountiful opportunities for reader interaction, whether one-on-one or in a group setting. Young ones can verbally identify or point to their discoveries or participate in rhythmic clapping and repetitive dance moves. There’s lots to discover as well as several methods to access the lesson.
Never pedantic, this book encourages a fun, developmentally appropriate way to look at the world. (Picture book. 4-8)Pub Date: Feb. 11, 2020
ISBN: 978-0-06-274123-3
Page Count: 40
Publisher: Greenwillow Books
Review Posted Online: Oct. 8, 2019
Kirkus Reviews Issue: Nov. 1, 2019
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
Haphazard but jolly enough for one outing; it probably won’t last for more.
A flurry of mail addressed to Duncan’s crayons ushers in the Christmas season in this novelty spinoff of the bestselling The Day the Crayons Quit (2013) and The Day the Crayons Came Home (2015).
Actual cards and letters are tucked into envelopelike pouches pasted to the pages; these are joined in some cases by other ephemera for a package that is likely to invite sudden, intense play followed by loss and/or damage that will render the book a disappointment to reread. That’s probably OK, as in contrast to the clever story that kicked this small series off, this outing has a hastily composed feel that lacks cohesion. The first letter is addressed to Peach from Mom and includes a paper doll of the “naked” (de-wrappered) crayon along with a selection of tabbed changes of clothing that includes a top hat and tails and a bikini top and bottom. Peach’s implied gender fluidity does not mitigate the unfortunate association of peach with skin color established in the first book. The sense of narrative improvisation is cemented with an early page turn that takes the crayons from outdoors snow play to “Feeling…suddenly very Christmas-y, the crayons headed inside.” Readers can unpack a box of punch-out decorations; a recipe for gluten-free Christmas cookies that begins “go to store and buy gluten-free cookies”; a punch-out dreidel (turns out Grey is Jewish); a board game (“six-sided die” not included); and a map of Esteban (aka Pea Green) and Neon Red’s travels with Santa.
Haphazard but jolly enough for one outing; it probably won’t last for more. (Novelty. 4-8)Pub Date: Oct. 15, 2019
ISBN: 978-0-525-51574-6
Page Count: 52
Publisher: Penguin Workshop
Review Posted Online: Aug. 17, 2019
Kirkus Reviews Issue: Sept. 1, 2019
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
