Everything this great American author’s fans are looking for.
The long second act of a New England writer’s life, rich in family, laced with troubles personal and public.
Maynard’s 18th book is a stirring, satisfying sequel to Count the Ways (2021), continuing the story of New England children’s book author Eleanor through the years 2010 to 2024, including the Trump election, Covid-19, the Jan. 6 insurrection, school shootings, and lots and lots of great American music playing in the background. The book’s title comes from a Leonard Cohen song, and John Prine, who died of Covid in 2020, presides over the story. As the author puts it in a note, “I never met him, but in these pages, I honor his musical legacy of humor, wisdom, passion, and tenderness.” As in all Maynard’s best work, those qualities are in evidence throughout. A prologue recaps an event central to the first book—an accident that resulted in a brain injury to Eleanor’s youngest child, in the wake of which Eleanor’s marriage to Cam slowly but surely crumbled. In Part 1, called The Death of Cam, the babysitter he left her for is history, and when Cam falls ill, none of their other children is available to care for him and their brain-damaged brother, so Eleanor moves back from Brookline to the family farm to do the job. Oldest child Al lives on the West Coast and is now fully transitioned, married to a woman, enjoying career success, and hoping to adopt. Middle child Ursula is a mother of three, lives in Vermont, and is married to a high school friend named Jake who morphs into a scary Proud Boy–type in the Trump years. Ursula is deeply estranged from her mother and treats her cruelly; one of the numerous plot threads traces the evolution of this painful situation. Others follow Eleanor’s jet-setting romance with a famous climate change warrior; various projects to commercialize and Hollywood-ize her books; a sexual abuse scandal; and most centrally, this question: “A good mother. Who even knows what that is?” This ample narrative is arranged into tasty vignettes with appealing, sometimes funny subtitles, making it a pleasure to digest.
Everything this great American author’s fans are looking for.Pub Date: June 25, 2024
ISBN: 9780062398307
Page Count: 432
Publisher: Morrow/HarperCollins
Review Posted Online: April 20, 2024
Kirkus Reviews Issue: May 15, 2024
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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