A strong, stylish novel about one family’s battle to preserve its identity in the face of changing times.
A stylish family saga in which modernity comes to a small, old Southern town.
In his ambitious debut novel, Paul tells the story of the savvy, artistic Proctar family in Cane Valley, Florida. They find their sedate way of life disturbed when corporate interests and ambitious technology company Global Cybernetics stumble upon their idyllic town and offer buyouts to local landowners. Although some see the influx of wealth as an opportunity, the family patriarch, Max Proctar, a sculptor, is reticent, wary of the changes that the town’s growth will likely bring. His social standing and his land holdings in town command respect, but they also make him a target as outside forces begin to infringe on his bohemian way of life. In addition, Max must also face the return of his adult children, who struggle to reconcile their love for him with his curmudgeonly ways. The most compelling character among this cohort is Zara Proctar, an aspiring painter searching for her own path. The Proctars, a collection of witty, erudite aesthetes, resemble J.D. Salinger’s famous Glass family, but they also bring a Faulkner-ian Southern attitude and 21st-century concerns. Paul writes in a verbose, intelligent style that recalls David Foster Wallace. The narration is lively, but the dialogue sometimes bumps up against the limits of the believable; casual conversation includes comments such as “Isn’t this the century when workers thrive on independence and middle managers with antiquated cattle prods fade into irrelevance?” Still, although such remarks may strain credulity, they also lend the Proctars an indelible charm. This novel will be sure to please fans of family epics and may also appeal to those with an interest in how technological and corporate cultures are encroaching on personal lives in the 21st century.
A strong, stylish novel about one family’s battle to preserve its identity in the face of changing times.Pub Date: Nov. 1, 2017
ISBN: 978-1-979329-58-3
Page Count: 352
Publisher: CreateSpace
Review Posted Online: Dec. 20, 2017
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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