Essential for students of the Old English poem—and the ideal gift for devotees of the One Ring.
Hwaet! A sparkling revisitation of Danish meadhalls and boggy monsters’ lairs by Hobbitmeister Tolkien.
Before he became world-renowned for his tales of the Shire, Tolkien (The Children of Húrin, 2007, etc.) taught Old English, Old Norse and medieval literature at Oxford. At the core of his teaching lay Beowulf, that great, exceedingly strange eighth-century poem of the eponymous, ill-fated hero and his nemesis, the unfortunate monster Grendel. His prose translation of the poem into modern English dates to 1926, and it’s a marvel of vigor and economy that doesn’t suffer from not having been set in verse. The text against which to compare it is Seamus Heaney’s 2000 verse translation, and the answer to the question of which version is essential is: Both. Here are Heaney’s closing lines, the paean to the departed hero: “They said that of all the kings upon earth / he was the man most gracious and fair-minded, / kindest to his people and keenest to win fame.” Tolkien’s are: “Thus bemourned the Geatish folk...crying that he was ever of the kings of earth of men most generous and to men most gracious, to his people most tender and for praise most eager.” Which is the more poetic rendering is a matter of taste, but Tolkien’s has the virtue of being accompanied by more than 300 pages of commentary on the poem, Anglo-Saxon society and Old English literature generally, with a bonus effort at a reconstruction of the Ur folk tale that underlies the poem. The commentary is thoroughly illuminating, touching as it does on such matters as the author’s critical attitude toward “the aristocratic class, its values and assumptions” and “the whole business of the Heathobards and their feud with the house of Healfdene.” The careful reader will also find hints between the lines of Tolkien working out bits and pieces of his own story, not least when he turns to a certain dragon, “on fire now with wrath,” and the fabulous hoard it guards while awake and asleep.
Essential for students of the Old English poem—and the ideal gift for devotees of the One Ring.Pub Date: May 22, 2014
ISBN: 978-0-544-44278-8
Page Count: 448
Publisher: Houghton Mifflin Harcourt
Review Posted Online: May 16, 2014
Kirkus Reviews Issue: June 1, 2014
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.
A man walks out of a bar and his life becomes a kaleidoscope of altered states in this science-fiction thriller.
Crouch opens on a family in a warm, resonant domestic moment with three well-developed characters. At home in Chicago’s Logan Square, Jason Dessen dices an onion while his wife, Daniela, sips wine and chats on the phone. Their son, Charlie, an appealing 15-year-old, sketches on a pad. Still, an undertone of regret hovers over the couple, a preoccupation with roads not taken, a theme the book will literally explore, in multifarious ways. To start, both Jason and Daniela abandoned careers that might have soared, Jason as a physicist, Daniela as an artist. When Charlie was born, he suffered a major illness. Jason was forced to abandon promising research to teach undergraduates at a small college. Daniela turned from having gallery shows to teaching private art lessons to middle school students. On this bracing October evening, Jason visits a local bar to pay homage to Ryan Holder, a former college roommate who just received a major award for his work in neuroscience, an honor that rankles Jason, who, Ryan says, gave up on his career. Smarting from the comment, Jason suffers “a sucker punch” as he heads home that leaves him “standing on the precipice.” From behind Jason, a man with a “ghost white” face, “red, pursed lips," and "horrifying eyes” points a gun at Jason and forces him to drive an SUV, following preset navigational directions. At their destination, the abductor forces Jason to strip naked, beats him, then leads him into a vast, abandoned power plant. Here, Jason meets men and women who insist they want to help him. Attempting to escape, Jason opens a door that leads him into a series of dark, strange, yet eerily familiar encounters that sometimes strain credibility, especially in the tale's final moments.
Suspenseful, frightening, and sometimes poignant—provided the reader has a generously willing suspension of disbelief.Pub Date: July 26, 2016
ISBN: 978-1-101-90422-0
Page Count: 352
Publisher: Crown
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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BOOK TO SCREEN
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