Essential for students of the Old English poem—and the ideal gift for devotees of the One Ring.
Hwaet! A sparkling revisitation of Danish meadhalls and boggy monsters’ lairs by Hobbitmeister Tolkien.
Before he became world-renowned for his tales of the Shire, Tolkien (The Children of Húrin, 2007, etc.) taught Old English, Old Norse and medieval literature at Oxford. At the core of his teaching lay Beowulf, that great, exceedingly strange eighth-century poem of the eponymous, ill-fated hero and his nemesis, the unfortunate monster Grendel. His prose translation of the poem into modern English dates to 1926, and it’s a marvel of vigor and economy that doesn’t suffer from not having been set in verse. The text against which to compare it is Seamus Heaney’s 2000 verse translation, and the answer to the question of which version is essential is: Both. Here are Heaney’s closing lines, the paean to the departed hero: “They said that of all the kings upon earth / he was the man most gracious and fair-minded, / kindest to his people and keenest to win fame.” Tolkien’s are: “Thus bemourned the Geatish folk...crying that he was ever of the kings of earth of men most generous and to men most gracious, to his people most tender and for praise most eager.” Which is the more poetic rendering is a matter of taste, but Tolkien’s has the virtue of being accompanied by more than 300 pages of commentary on the poem, Anglo-Saxon society and Old English literature generally, with a bonus effort at a reconstruction of the Ur folk tale that underlies the poem. The commentary is thoroughly illuminating, touching as it does on such matters as the author’s critical attitude toward “the aristocratic class, its values and assumptions” and “the whole business of the Heathobards and their feud with the house of Healfdene.” The careful reader will also find hints between the lines of Tolkien working out bits and pieces of his own story, not least when he turns to a certain dragon, “on fire now with wrath,” and the fabulous hoard it guards while awake and asleep.
Essential for students of the Old English poem—and the ideal gift for devotees of the One Ring.Pub Date: May 22, 2014
ISBN: 978-0-544-44278-8
Page Count: 448
Publisher: Houghton Mifflin Harcourt
Review Posted Online: May 16, 2014
Kirkus Reviews Issue: June 1, 2014
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A breezy and fun contemporary fantasy.
A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.
Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.
A breezy and fun contemporary fantasy.Pub Date: March 17, 2020
ISBN: 978-1-250-21728-8
Page Count: 352
Publisher: Tor
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
PERSPECTIVES
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