The story has it all: swords, sorcery, and pure and undying love. (Excellent illustrations, too.) Essential grounding for an...
Frodo-heads rejoice: from the Tolkien factory comes a foundational story a century in the making, one yarn to rule them all.
“I cannot think of anything more to say about hobbits,” J.R.R. Tolkien wrote in frustration to his publisher. “But I have only too much to say, and much already written, about the world into which the hobbit intruded.” The story of Beren, a mortal human, and Lúthien, an immortal elf, resonates throughout the corpus of Tolkien’s work; born while Tolkien was shaking off the horrors of combat in World War I, it figures in The Silmarillion, the first of the major posthumous books, and in other of the Middle-earth books, to say nothing of The Lord of the Rings itself, when Aragorn sings of the fraught love between the two legendary figures. As reconstructed here and presented whole, the saga adds back story to much of LOTR: it explains the mistrust of Treebeard and the other forest denizens for the world of men, and it provides a foreshadowing for the whole of the canonical Rings trilogy, since it describes a kind of ur-Saruman who lusts for both power and magical jewels, setting off a chain of events that implicates Orcs, dragons, humans, elves, and all manner of other beings. Some of the tale here is in verse, done in a kind of Tennyson-esque meter: “Then Sauron laughed aloud. ‘Thou base, / thou cringing worm! Stand up, / and hear me! And now drink the cup / that I have sweetly blent for thee!' " Sweetly blent indeed. Other moments are worthy of Mikhail Bulgakov, such as Tolkien’s conjuring of giant malevolent cats, their “eyes glowing like green lamps or red or yellow where Tevildo’s thanes sat waving and lashing their beautiful tails,” and of Tennyson himself, as when Beren tells how for Lúthien’s love “he must essay the burning waste, / and doubtless death and torment taste.”
The story has it all: swords, sorcery, and pure and undying love. (Excellent illustrations, too.) Essential grounding for an epic cycle that shows no signs of ending anytime soon.Pub Date: June 1, 2017
ISBN: 978-1-328-79182-5
Page Count: 288
Publisher: Houghton Mifflin Harcourt
Review Posted Online: May 26, 2017
Kirkus Reviews Issue: June 15, 2017
SEEN & HEARD
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A breezy and fun contemporary fantasy.
A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.
Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.
A breezy and fun contemporary fantasy.Pub Date: March 17, 2020
ISBN: 978-1-250-21728-8
Page Count: 352
Publisher: Tor
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
PERSPECTIVES
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