edited by Judd Apatow ‧ RELEASE DATE: Nov. 12, 2019
Essential for Shandling fans and a good choice for readers interested in stand-up and comedy writing.
Garry Shandling's family, friends, and colleagues paint an affectionate portrait of a driven, introspective artist who had a hard time getting out of his own head.
Apatow (Sick in the Head: Conversations About Life and Comedy, 2015, etc.) never thought his comedy mentor and buddy was the kind of guy who liked to hold on to things. After all, the self-deprecating comedian was a practicing Buddhist. Nevertheless, following Shandling’s 2016 death at age 66, Apatow discovered that his teacher and former boss had actually kept everything—including a revelatory trove of journal entries and personal notes stretching back decades. The discovery led to the HBO documentary The Zen Diaries of Gary Shandling. Here, Apatow uses those earnest entries in conjunction with additional interviews to further explore the legendary comedian’s often besieged psyche. Despite stellar successes that included two seminal TV series (It’s Garry Shandling’s Show and The Larry Sanders Show), Shandling could never shake the death of his older brother, Barry, who died from cystic fibrosis when Garry was just 10. Under that dark shroud, Shandling additionally obsessed about award show monologues, TV scripts, and his unrelenting ego. “He had rage,” notes Sarah Silverman. “He could really hold on to stuff and be troubled by things that to other people might seem small, but he was always working on that, always trying to process it and understand it." Throughout his professional life, that diligence both helped and hampered Shandling, whether he was writing TV scripts for Sanford & Son or breaking into the movies with the ill-fated What Planet Are You From? In the latter case, Shandling’s mix of insecurity and perfectionism proved too much for director Mike Nichols, and the film flopped. Professional highs and lows aside, Shandling is remembered as a man who spent his entire life seeking and generously giving of himself—even if that self was the cause of most of his woes.
Essential for Shandling fans and a good choice for readers interested in stand-up and comedy writing.Pub Date: Nov. 12, 2019
ISBN: 978-0-525-51084-0
Page Count: 472
Publisher: Random House
Review Posted Online: Sept. 14, 2019
Kirkus Reviews Issue: Oct. 1, 2019
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by Chris Gardner with Quincy Troupe ‧ RELEASE DATE: June 1, 2006
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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by Richard Wright ‧ RELEASE DATE: Feb. 28, 1945
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
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