A compelling story about life and art with vivid characters and an engaging setting.
Berman’s historical novel, on the triumphs and trials of a female artist, paints a picture of bohemian life while discussing deeper questions about the creative process.
In 1760s Venice, Angelica Kauffman struggles to make her mark as a painter while supporting herself and her father. Although she makes a living painting reproductions, she wishes to pursue artwork about historical subjects, which brings in less money. She catches a lucky break when a British noblewoman spots her talent and takes her to London to seek her fortune. Angelica becomes a great success, thanks to constant commissions for portraits and paintings of historical subjects. She eventually meets and befriends other artists, including the celebrated portraitist Sir Joshua Reynolds. Despite Angelica’s determination to never marry, she becomes preoccupied with a mysterious Swedish count, and their relationship takes an expected turn. Later, Angelica and her family return to Italy, where she falls in with a community of artists and intellectuals in Rome. She’s intrigued by a man who turns out to be the celebrated author Johann Wolfgang von Goethe; they feel an instant connection. Their friendship, intense but platonic, deepens quickly as they share similar philosophies on art, nature, and love. As she contemplates her future, Angelica must figure out what kind of love she wants, and how a woman in a sexist society can enjoy her freedom. Berman’s story of Angelica’s adventures among the nobility and other bohemian artists paints an illuminating yet subtly drawn picture of 18th-century society and the art world, in particular. Angelica’s commitment to independence is steely and determined, and in scenes where she’s at her easel, it’s easy to grasp how inspiration strikes and a painting comes together: “I paint the faint suggestion of an angelic face into the clouds. No one else will likely ever notice it, but my eye goes directly to the departed soul.” Those looking for steamy romance will be disappointed, but Angelica’s absolute commitment to living her own life is intense and refreshing.
A compelling story about life and art with vivid characters and an engaging setting.Pub Date: Oct. 15, 2024
ISBN: 9781647427887
Page Count: 368
Publisher: N/A
Review Posted Online: Feb. 21, 2024
Review Program: Kirkus Indie
BOOK REVIEW
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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