IN AT THE DEATH

The final novel in Cutler’s Harriet and Matthew Rowsley series of Victorian mysteries focuses on the fate of Thorncroft House and its odd and varied cast of residents.

Although he’s never appeared during the life of the series, Lord Croft is the force that drives it. To care for him in his incapacity, the trustees of the estate have created the family wing, run by the skilled, resolute Nurse Webb, who studied under Florence Nightingale. They’ve chosen Harriet and Matthew to oversee the daily maintenance of the estate, with help from family lawyer Montgomery Wilson. Since Lord Croft has no son, only an illegitimate daughter who was adopted by a local longboat man and his wife, a variety of putative heirs have laid claim to the estate. In addition, Mrs. Marchbanks, whose husband is head librarian at the Bodleian in Oxford, hints in her dying breath that the current Lord Croft’s father left a will that could change Harriet’s life. So the appearance of Claude Baker, an American gentleman whom Mr. Wilson thinks may have a creditable claim on the estate, is a momentous event in the lives of all of Thorncroft’s residents—so momentous that it seems to knock the murder straight off the page. Although the killing is a particular gruesome one, leaving the victim without a head or genitals, nobody seems in a hurry to identify him, much less to figure out who killed him. The Rowsleys’ energy turns almost exclusively to determining whether Baker is the rightful heir, and if he is, whether he and his delicate wife are fit to run Thorncroft. The ending couldn’t be more predictable, wrapping the whole saga in a neat package likely to disappoint all but its diehard fans.

Murder most ignored.