An enjoyable mystery as sophisticated and energetic as the Wall Street characters it features.
Former detective Evan Adair sets personal tragedy aside to investigate the unexplained death of financial wizard Scott Nickerson in this mystery from first-time author Deborah.
Nickerson was attending an orchestra concert when he took a tumble that shouldn’t, but ultimately does, kill him. As it turns out, a number of people have motives for Nickerson’s death, including Nickerson himself. Among the suspects is Alan Rubicoff, a successful financier with a hidden agenda behind his attempts to lure Nickerson away to a new fund. There’s also Meredith Calder, one of the most powerful women on Wall Street who stands to lose a bundle if Nickerson leaves her fund. Throw in a discredited research scientist and an unscrupulous drug developer, and Adair has a monumental investigative task. He is soon sucked into a maelstrom of underhanded dealings and criminal motivations, some of which reignite his private grief over his son’s recent death. The story is not told in chronological order, and the shifts in date and time keep readers pleasurably engaged. High-stakes financial dealings, promising biotech developments, corrupt SEC investigations, unanswered paternity questions and a shocking deathbed letter are all part of the fast-paced action. Surprising plot twists accelerate toward an unexpected and satisfying conclusion. Deborah has a fresh, distinctive writing style that is showcased to best effect in her witty dialogue. The title itself is similarly witty; it’s a tongue-in-cheek reference to investment slang describing a security whose value has dropped significantly and precipitously. While it is difficult and dangerous to catch a falling knife, the rewards can be enormous. Deborah’s characters, portrayed with realistic complexity and depth, experience both the perils and the prizes of such a hazardous endeavor.
An enjoyable mystery as sophisticated and energetic as the Wall Street characters it features.Pub Date: Dec. 15, 2011
ISBN: 978-0983985105
Page Count: 412
Publisher: Plimsoll Press
Review Posted Online: March 7, 2012
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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