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SET FOR LIFE

As it did in her first novel (The Chinchilla Farm, 1989), the power of love works again for Freeman's leads, an old man and a teenager, both at odds with their families. Phil Doucet will die unless he gets a new heart; Louise Matthews feels she will die if she spends another minute under her stepfather Ted's roof. The carpenter and the schoolgirl live in the same corner of Idaho, and their paths will cross at the novel's midpoint. Since cancer took his beloved wife, Phil has been deteriorating, in body and soul; his chief support has been his grandson Luke. Then Luke is killed in a car crash, and Phil is persuaded to accept Luke's ``perfect'' heart. The transplant works like a dream, and Phil's doctor glibly asserts he's ``set for life''; but despite feeling years younger, Phil is plagued by guilt and shuts himself away from his two married daughters. As for Louise, stepfather Ted has made her life a living hell, forcing her to join his neo-Nazi cult; terrified he will discover she's pregnant (by a traveling salesman), she hits the road. A sympathetic truck driver pays for her abortion, but she is too fragile and unformed to handle a relationship, and in fleeing Wendall she begs for shelter from a picnicking stranger: Phil. He hears his grandson's voice urging him to take Louise in. She proves a difficult houseguest (``as mutable as the lake'') and at the end, with the sheriff down below, is ready to leap to her death; but Phil convinces his now precious waif that his love will be a bulwark for her. Cloying? Corny? Not in the least. Freeman has built toward the climax so carefully that its great surge of emotion seems the most natural thing on earth; once again, her unsentimental celebration of simple goodness marks her as a writer to be treasured.

Pub Date: Oct. 21, 1991

ISBN: 0-393-03027-X

Page Count: 352

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1991

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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