Well-wrought female empowerment tale with a dramatic twist ending.
In this women’s fiction/thriller novel, Myra Benning contends with a cheating husband who may also have sexually abused their teen daughter.
Myra’s professor husband, Derek, has just confirmed her suspicions that he’s been having affairs with his students. In this tense environment, just after son Peter leaves for college, Myra wakes up to her other child Susan’s screams of “Get him off!” Derek says he was comforting the 14-year-old during her nightmare, yet he also oddly remarks how the girl looked “so beautiful, laying there in the moonlight.” Myra asks Derek to leave and brings in the police and a therapist. The latter concludes that Susan is exhibiting characteristics of having been sexually abused, even if there’s no evidence of penetration. Derek then disappears, and the novel jumps 12 years. Susan, now married to a man met in group therapy, has a new baby. Myra has turned her animal illustrations into a successful cartooning career. Then Susan thinks she’s spotted Derek’s car, and Myra senses her house was broken into. Peter, who never believed his father was an abuser, tells Myra that Derek created a new life in a nearby California town. Derek, who still protests his innocence, tells Myra that he retrieved his birth certificate from her house to deal with his family’s legal matters. Informed that Derek’s stoic, also cheated-upon mother, Eleanor, is dying, Myra, now in a relationship with policeman Randy Larson, agrees to a family reunion at Derek’s family home, where Susan recovers a more complete memory of her abuse, prompting a series of tragic yet revelatory events to unfold. Kirscht (The Inheritors, 2012, etc.), a retired university lecturer, brings grace and flair to this third effort. She quickly establishes Myra, a Minnesota native who has always been a bit insecure in the rather enigmatic Derek’s world, as a sympathetic heroine who must now face up to what she may have been enabling in her marriage. Kirscht also plants just enough seeds in her smooth-flowing narrative so that its rather surprising finale doesn’t seem too far out in left field.
Well-wrought female empowerment tale with a dramatic twist ending.Pub Date: Dec. 17, 2013
ISBN: 978-1614690436
Page Count: 264
Publisher: New Libri Press
Review Posted Online: Nov. 18, 2014
Kirkus Reviews Issue: Jan. 15, 2015
Review Program: Kirkus Indie
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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